Vermeer and Music

Freeze: But is it Art?(en)

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

Georgia O'Keeffe(en)

Georgia O'Keeffe appears on camera for the first time to talk candidly about her work and her life in this 1977 documentary.

Shapes and Forms(en)

An expressive short film in which examples of early and modern art are juxtaposed to reveal correspondences.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Minted(en)

A fascinating look at the intersection of art, commerce, and digital ownership through the rise and crash of the NFT market.

Edward et Jo Hopper, un si violent silence(fr)

The Farnsworth: Lucy's Gift, Rockland's Treasure(en)

Since its opening in 1948, The Farnsworth Art Museum has been a source of community pride and a beacon that draws visitors to Rockland each year. Told through first person interviews with Rockland natives and residents, historical photographs and footage, the film follows the museum’s growth from the reading of Lucy Farnsworth’s will, through the construction of the museum facility, to the internationally renowned institution that it is today.

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

The MiG-21 Project(en)

The 25-minute long documentary details the entirety of the artistic process from Ralph Ziman’s inspiration for the project and acquisition of the MiG-21, to the international collaboration to create the beadwork and assemble the art piece, leading up to the project’s unveiling at The Museum of Flight. Also covered in the film is background on the MiG-21, including details about the plane used (decommissioned tail number 8971) and how MiGs’ presence in the Angolan Civil War ultimately hastened the end of white rule in South Africa. See historical footage and personal interviews, including the Polish pilot who flew tail number 8971 in the 1980s, a South African Border War pilot and the team of artists and craftspeople in Southern Africa and the United States who took on the huge task of covering the aircraft in tens of millions of glass beads.

Live this Loudly: Afatasi(en)

Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”

Fernand Pouillon, Le roman d'un architecte(fr)

Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

Renasça(pt)

The Confrontation(nl)

In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.

The Renaissance Prince(nb)

William Heimdal is one of the most talented young painters in Norway, and wants to master the old classical techniques, but feels he is misunderstood by society, and should have lived in a different time. Is he complex, or is everyone else?

In the Eye of the Beholder(it)

Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?

La Seine Impressionniste(fr)

This World Is Not My Own(en)

Chewing gum sculptures, a wealthy gallerist, a notorious murder case, and the segregated south - it's all part of Nellie Mae Rowe's boundless universe. This World Is Not My Own reimagines this self-taught artist's world and her life spanning the 20th century.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Mário Eloy - A Runaway Painter(pt)

Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.

L'Affaire Caravage(fr)

In 2014 a large painting representing Judith Beheading Holofernes was discovered in an attic in Toulouse, France. A controversy ensued immediately about the attribution of the painting's authorship to Caravaggio. The documentary follows a famed art expert in charge of organizing the sale of the painting on behalf of the owners, while specialists debate on its authenticity.