Electronic Punks is a video by the British electronic band The Prodigy, released on VHS in 1995. It includes videos, live performances and rehearsals. Electronic Punks was broadcast on MTV and is available for free download. The live sections of the video were recorded at the Town and Country Club in Leeds, with the venue's name being visible above the stage at numerous points throughout the video.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
Billy and Sheena visit their Uncle Harold on an island in the Caribbean, but while exploring under water they find something terrible lurking deep below the sea.
Teenager Connie and her friends try to save an island full of nature and place of their encounters from being destroyed by the construction of a hotel there.
Martina is a liberal woman who arrives to a small town, with his godfather. Here, Martina will met with her secret love, a typical "macho-ranchero" man, demanding her hand in matrimony. But he rejects Martina, claiming that she's not virgin and will return her to the godfather. When the godfather dies, Martina finds herself alone, and she'll begin a sexual adventure with almost the last men in the town, even with the shy chaplain.
A novelist (Jack Scalia) enters into a complicated affair with a doctor's wife (Lindsay Wagner), who happens to be his publishing company's marketing director and a mother of two.
Tintin and Captain Haddock search for Red Rackham's treasure with the help of an eccentric but lovable professor.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.