O Último Dia de Lampião

Memória do Cangaço(pt)

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Lampião, o Rei do Cangaço(pt)

Zé de Julião, Muito Além do Cangaço(pt)

Quelé do Pajeú(pt)

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

The Bandit(pt)

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

O Cangaceiro(pt)

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Bruce Lee Versus Gay Power(pt)

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

Viva Cangaceiro(it)

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

O Cabeleira(pt)

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Perfumed Ball(pt)

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Maria Bonita, Rainha do Cangaço(pt)

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Cangaceiros de Lampião(pt)

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

The Godless Bandit(pt)

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

Aroeira(pt)

Honor in the Valley of Tears(en)

The story of A-Company 1/8 4th Infantry Division, US Army during the Vietnam War from 1965 to 1967. In the men's own words, through the stories they narrate, the film gives us insight into the time these men spent together and the bond they formed that remains unbroken to this day. The 4th Infantry Division is one of the only divisions that trained and retained its troops during the Vietnam War. The men of A-Company trained together for eleven months and served together for one year. Their story begins with basic training at Ft. Lewis Washington in 1965 and continues 40 years later at their last reunion in September 2007. Filming began September 27, 2007 in Houston, Texas during a reunion to honor First Sergeant David H. McNerney, who is the only living member of the 4th Infantry Division to receive the Congressional Medal of Honor. He was celebrated by the men he trained and served with and who's lives he saved on March 22, 1967.

Once Upon a Time in Hungarian Comics(hu)

"Once Upon a Time in Hungarian Comics" provides a comprehensive picture of Hungarian comic culture, touching on the history of comics from the beginning to the present day, focusing on the development of Hungarian comics.

Report from Hollywood(en)

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Sans Soleil(fr)

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Daybreak Express(en)

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

West Side Stories(en)

Two impressions of New York - a city of dreams or nightmares. The Outsider: Jonathan Miller 'If you enter New York in the first place in a show business context every time you return you have to justify your existence in show business terms. If you haven't got something to sell you become almost transparent...' The Insider: Patti Smith, poet, singer, actress. 'People come to New York to see the stars, but there ain't no stars in the sky. I lived in the city and I haven't seen a constellation since.'