A lecturer tells the audience that it is National Take Care Week. He tells the story of a man who gets stung in his garden and the problems the man has when he seeks treatment at the doctor's office.
1939-12-16
5.8
To recover a silver lion ornament for singer Emma Bunton Tim travels back to the court of Henry Vlll where Anne Boleyn (Emma again) asks jester Tim to send invitations to the guests for her Christmas party. However Cardinal Wolsey aims to steal them so that they will come to his own party and Tim must thwart him.
A woman bumps into a man leaving a big stain on the man's coat. They both part ways but a spark has been ignited. They want to see each other again so they both decide to use their colleagues to perform some spywork.
The original theatrical trailer for the fictional suspense thriller "Call To Forehead".
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
A wealthy man, who is financially depend on his wife, hits the car to kill himself. Car owners and friends bring the man home. After the man wakes up, he asks them to kill him and even offers money. Describing the gap and difference between rich and poor, the short film surprises everyone with unexpected final.
Harry picks up a hitchhiker who turns out to be a runaway heiress. Under threat, Harry agrees to help her hide by pretending to be husband and wife.
Harry is a workaholic piano tuner whose bride-to-be's brother threatens to kill him if he doesn't marry his sister. His latest job assignment involves a socialite and a pesky French maid hounding him constantly.
Bulgaria-based director Kevork Aslanyan’s European Short Film Festival-winning sci-fi short sees a man trying to overcome an obstacle of gravitas for love. In a dystopian post-communist world, Constantine and his father Atanas share a small flat in a run-down apartment block. A tragic accident has disturbed gravity on Earth beyond repair, so everyone weighing less than 120 kilos flies up into space. With only 60kg body weight, Constantine cannot go outside, nor does he want to. Stuck in the flat, at the mercy of the electrical mood swings of a household gravitational normalizer, Constantine leads an almost normal life. He is content spending the days looking at the world through his window. Until the beautifully plump stewardess moving in next door changes everything.
A mysterious knock in an instant destroys the usual life that four lonely, calm people lead.
Gemma agrees to look after her neighbours dog whilst they're away only to find it dead on the first day. Sparring between three versions of her own consciousness she must decide what to do.
After his legs walk out on his body a man visits a therapist to find a way to put himself back together.
Joe Penner as a incompetent crown prince in the middle of a revolution.
A music professor facing redundancy and a serious hoarding habit is pushed to extremes when he discovers his girlfriend has given a treasured 1960s band jacket to charity. He enlists a young ambitious musicologist to accompany him on a mission to retrieve the jacket.
Max, the celebrated fun maker, is shown in another of his amusing playlets. His fiancée, ere she marries him, insists that he prove himself a hero by fighting a duel. Max has difficulty in finding an opponent whom he can defeat and his adventures constitute a comedy which is a scream from start to finish.
Ben goes down a late-night internet wormhole of bad advice and growing neuroses.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
An over-the-hill rodeo champion gets fired from his assembly line job in Texas. He and a buddy then decide to head to Wyoming to get a job herding mustangs. His wife gives him her his blessing, knowing he needs to find something which satisfies his spirit. They sign up for a roundup headed by a veteran cowboy. With the job, he finds himself cross-wise of a corrupt government official, who is making big profits on the illegal sale of wild horses.
Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.
A humble car mechanic decides to give his son, who has brought home an excellent school report, a golden watch. Unfortunately the jewellery shop where they go and buy the watch is held up and the boy gets killed. The man spends the rest of the movie trying to take his revenge...
In the Asturian town of Llanes (Spain), we see an example of Asturian pilgrimage, with the festival dedicated to San Roque.
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
A guide to learn about the new italian musical languages loved by the new generations. An "explanation" given by the artists themselves regarding concepts embedded in their songs that turns the spotlight on the importance of dialogue on themes such as love, death, sex, success, nostalgia, democracy and money.
In 1901 people in Belfast paid their tram drivers in carrots.
A father searches for the drug dealer responsible for his daughter's death. He kidnaps who he believes is the girlfriend of one of the thugs; the woman turns out to be an undercover agent of the DEA, who will help him carry out her revenge.
Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...