Runner

Road's End(lv)

Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

My Prairie Home(en)

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

The Last Impresario(en)

Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.

Late at Night: Voices of Ordinary Madness(en)

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

Marvin Hamlisch: What He Did For Love(en)

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

Taşkafa, Stories of the Street(en)

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.

The Sower(es)

Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.

Two Marxists in Hollywood(en)

Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.

Glass House(en)

An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

A Model Family in a Model Home(en)

The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.

KONELĪNE: our land beautiful(en)

Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.

Mais qu'est ce qu'elles veulent(en)

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

The Apology(en)

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

ReMastered: Tricky Dick & The Man in Black(en)

This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.

Peanut Gallery(en)

Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.

Justice(pt)

In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).

Born Sweet(en)

Arsenic-laced water has poisoned a 15 year old boy from a small, rural village in Cambodia.

Chasing Asylum(en)

Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.

Runner(en)

A refugee marathoner strives to raise his new country's flag at the Olympics.

Bridges-Go-Round 1(xx)

New York City's various bridges transform into an urban jungle (jazz version) or an alien landscape (electro-acoustic version).

Scene from the Coronation of the Czar of Russia(en)

100 seconds-long six-scene footage consisting of selected coronation ceremonies of the Russian Tsar (Emperor) Nicholas II. Shows distinguished guests entering a carriage, parade of troops and carriages, Nicholas II and his wife empress Alexandra Feodorovna descending the Kremlin Red Staircase, procession of the newly crowned Emperor and his wife under the baldacchino, guests from the Asian parts of the Russian Empire. (IMDb)

Heavy Metal Massacre(en)

A killer goes on a killing spree at a heavy metal club.

Orpheize(en)

UigiG needs to go out and feel, like his favourite film's star. His girlfriend, just like her, loves to smoke and enjoy the authenticity... but that's before she ceases to exist.

Frank Zappa: We Don't Mess Around(en)

Tracklisting: 1. Pound for a Brown 2. Baby Snakes 3. Deathless Horsie 4. Dancin' Fool 5. Easy Meat 6. Honey Don't You Want A Man Like Me 7. Keep It Greasey 8. Why Does It Hurt When I Pee? 9. Sofa #2 10. Vinnie's Seal Call Fusion Music 11. Bobby Brown 12. Conehead 13. Dead Air/I'm On Duty 14. St. Alphonzo's Pancake Breakfast 15. Father Oblivion 16. Rollo 17. Bamboozled Outro

gutterball(en)

Created with a deck of LPBA Strike Force trading cards from 1991.

Cream - Farewell Concert(en)

On November 26, 1968, London's illustrious Royal Albert Hall was jammed to its gilded rafters with rock fans ready for the final concert of what many still consider the greatest band that ever played. That band, Cream, featured the legendary Eric Clapton (aka "Slowhand") on lead guitar, the great drummer Ginger Baker (also of the classic rock band Blind Faith), and lead singer-bassist Jack Bruce in a trio that made some of the most amazing rock songs of the Sixties.

The Kung Fu Kid(cn)

The Kung Fu Kid is a Hong Kong Martial Arts movie starring Chan Wai Man and Eric Tsang

Sin of Flirtation(cn)

A sex film set in ancient times, filled with naked bodies

Big City Blues(en)

An Indiana boy comes into an inheritance and moves to New York City, living it up with his girlfriend until he gets in over his head and someone gets killed.

CON[SUMO](pt)

Medical Examiner Dr.Qin(zh)

Two wedding homicides with a sense of ceremonies involved the wedding homicides eight years ago

Ayşecik Boş Beşik(tr)

Frankenstein Conquers the World Two(xx)

by Kevin Jerome Everson

Leaving Amish Paradise(en)

Documentary following the lives of two Amish families leaving the only world they've ever known and trying to get to grips with the modern world. The Amish travel by horse and buggy and dress exactly as their forebears did when they first arrived in America almost 300 years ago. They have countless rules which keep them separate from the modern world, with electric lights, mobile phones, television and radio all forbidden. For those born into this culture, leaving is the biggest decision they'll ever make.

Everything Near Becomes Distant(fr)

Director Zhu's friend, Xiaoxin, contracted an eye disease. He gradually lost his eyesight, and by 2015, he had gone completely blind. He told Zhu that the total blackness scared him, and Zhu felt that he was on his way to somewhere.

Pathala Bhairavi(te)

Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.