Mary Lou Williams: The Lady Who Swings the Band
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Self (archive footage)
Self
Self
Self
Self
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1 Day(en)
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Keeping the Vision Alive(ko)
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)
A Farra do Circo(pt)
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Russia(en)
The first uncensored documentary about the Soviet Union ever made by an outsider. The film takes viewers to 12 of the 15 states of the former USSR.
Swimming Lessons(en)
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Advocate(he)
Lea Tsemel, a Jewish-Israeli lawyer, defends Palestinians: from feminists to fundamentalists, from nonviolent demonstrators to armed militants. As far as most Israelis are concerned, she defends the indefensible. As far as Palestinians are concerned, she’s more than an attorney, she’s an ally. «Advocate» follows Tsemel in real time, including the trial of a 13-year-old boy — her youngest client to date.
No Evidence of Disease(en)
Below the belt cancers and a below the radar cause are thrust into the limelight as N.E.D., or No Evidence of Disease, a rock band of GYN Oncology Surgeons, put the plight of their patients center stage in this riveting story of women fighting for their lives.
There Is Land!(pt)
"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."
The Pharmacy: Shanghai(fr)
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Blockade(en)
"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.
Deepa Mehta, in Profile(en)
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Inés María Mendoza: la palabra como destino(es)
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AURORA: Nothing Is Eternal(en)
Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.
Peter Handke: In the Woods, Might Be Late(de)
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.
The Willmar 8(en)
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
She's Beautiful When She's Angry(en)
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
This Time Next Year(en)
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
Into Our Own Hands(fr)
When confronted with their lingerie factory (Starissima) going bankrupt, the employees attempt to take it over by forming a cooperative. Soon questions about fundamental economic and social issues pop up amidst the bras and panties. Through this adventure together they discover a new freedom.
My Name Is Salt(en)
Year after year, just after the monsoon season has finished, thousands of families travel to a bleak desert in Gujerat, India, where they will stay for an endless eight months and extract salt from the earth, using the same painstaking, manual techniques as generations before them. Director Farida Pacha spent a season with one of these families, observing the very particular rhythms of their lives.
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Return(hy)
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Trauma(es)
Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.
Return(tt)
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