Ali
Yustus
Juma
Amina
7.2A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.
3.4When Roxanna discovers her fascination with lesbian sexuality, she finds herself dragged deeper and deeper into it. This leaves her at odds with her boyfriend, with tragic results.
When all the voices have been silenced, only one will remain. And when this last voice is no longer heard...
7.0The grail is not the gold, nor the books of ancient wisdom, but the 3,000 year old DNA of the mummies, which may lead to a cure for malaria.
The story of a free-spirited Bohemian. Capellani would remake the film in the U.S. in 1916 with a longer runtime.
6.5Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.
0.0An exhortation to drivers to pay attention to road safety. In just 15 minutes, John Krish manages to give this road safety film something new and different by presenting events not from the point of view of the driver, but of his brain, memory and ego, who operate from a rather camp technology-driven command centre.
6.9In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.
4.2In a future where victims of traumatic crimes have the memory erased like it never happened, one woman finds herself struggling for her right to refuse the process.
6.0Brothers Asher and Charlie are very different – Asher likes fishing and swearing, Charlie likes tea parties and crafts. In the summer of 1987 – the first since their father walked out of their lives – their relationship undergoes a test of almost mythic proportions when Asher’s confusion and anger boils over into a mindless act of cruelty.
6.2A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.
On a ranch somewhere in the Midwest, Renee takes a stand against fear, uncertainty, doubt and evil itself. But does she have the strength to bring back the power of love to a brutal and unforgiving world?
10.0A superstitious guy, Bien, seeks all sorts of “divine” signs that will determine his decision of asking the girl of his dreams out on a date. The fear of rejection swallows him whole, making him justify his cause to seek for more unfathomable signs. But when each sign he asks for materializes, he soon learns that he has to be careful with what he wishes.
7.2Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
6.9The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.
