Persona Non Grata

Who Wants Tuki?(es)

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Sex Assistant(es)

A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.

Vamos Pal Matiné(es)

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Swing con Son(es)

Music documentary by director Rafael Marziano Tinoco from Venezuela

The heart of Caracas(es)

Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.

Beauty Factory(en)

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.

Venezuela at Home(es)

Two groups of Venezuelan dancers, while preparing for a dance battle, survive at traffic lights in the streets of Medellín. A group reflection on love, family and identity, far from home.

Venezuela Jungle Jam(en)

The latest film from the Belgian climbing team, following Asgard Jamming and Vertical Sailing Greenland, Venezuela Jungle Jam features Sean Villanueva O'Driscoll, Nico Favresse, Stephane Hanssens and Jean-Louis Wertz as they attempt a new free climb on the overhanging 500m wall of Amuri Tepul in the Venezuelan Jungle.

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Así Pasó(pt)

ESE EME: The Unauthorized History(es)

An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.

Bringing Out A Smile(es)

The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.

Venezuela(en)

Presenting an overview of Venezuela's culture, economy and geography. Visits two contrasting families of Caracas, depicting the cosmopolitan life in a modern city and the harsh existence of the farmer working on land that has had no rain in four years.

El Paraíso(es)

The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.

Ruina(en)

A squatted bank tower in downtown Caracas is transformed into a socialist micro-society by 3000 people. RUINA tells about difficulties and achievements by building up a community in a vertical city.

Torre David(en)

Torre David, a 45-story office tower in Caracas, was almost complete when it was abandoned following the death of its developer and collapse of the Venezuelan economy. Today, it is the improvised home of more than 750 families, living in an extra-legal occupation that some call a vertical slum.

Una Fabula Muy Trillada: The Legacy Of Dermis Tatú(es)

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

Empatia por Ulises(es)

Viva Venezuela: Fighting for Socialism(en)

We live in a world dominated by crisis, imperialist war and exploitation. We're told there is no alternative to cuts, privatisation, hunger and homelessness. The Bolivarian Revolution illustrates what can be achieved when governments and people working together, put human need before capitalist profits. Despite Chavez's death in 2013, the process is being built every day by President Maduro and millions of Venezuelans working to create a society built on collective socialist organisation and production. Venezuela provides an inspiring example of how the fight against austerity can develop into a fight for socialism. This film takes you on that journey through the barrios, universities and workplaces to meet the political activists, students and workers who are changing their future. Alongside the achievements of socialist Cuba, Venezuela shows that not only is another world possible, but this world is being built today in Latin America.

Olympus vacuum(es)

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.