Narrator
Most 72 is the very first film essay directed and produced by The Markerists and the inaugural installment in the series 'Most'. The footage and the audio were recorded in a single day on June 17th, 2013 on location in Auschwitz-Birkenau with post-production being completed within 72 hours. Surbhi Goel, a professor of cultural studies from India on her first trip outside of her homeland, recorded extemporaneous impressions as she walked the grounds of the death camp with the filmmakers. These were later used as the voice-over narration. The project serves as the template in which future Markerists film essays will be produced--shot and recorded on location and completed immediately afterwards, staying relevant in this age of instant global communication.
2013-08-01
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The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
Documentary about Finnish Jews during WWII and their unique position as German allies.
This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film
Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is horrified by what he sees in the death camps. he is then shocked to learn that the process he used to purify water for his troops by using Zyklon-B, is now used to kill people in gas chambers.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.
Set in 1901, this period epic follows Willem Morkel, a Boer family man whose wife and son are murdered during the Anglo-Boer War. Captured as a prisoner of war, Willem must survive incarceration in the notorious St. Helena concentration camp and defeat the ruthless Colonel Swannell, at his own game—Rugby
The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.
Located nearly 80 kilometres north of Berlin, Germany, the former municipality of Ravensbrück was home to a prison between 1939 and 1945 that became a concentration camp designed specifically for women. It was built by order of Heinreich Himmler, a high dignitary of the Third Reich and head of the SS. Of the more than 130,000 people who were deported there, almost 90,000 never returned. Based on witnesses, international experts and computer-generated images, the document reveals the atrocities committed in Ravensbrück.
"Aktion K" is a documentary about the greatest mass exodus from a nazi concentration camp, which took place at the upper Austrian hills, in 1945. The following hunting is still known there under the cynical title "Mühlviertler Hasenjagd" - "The Mühlviertel's hare hunting".
In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.
Live footage from concentration camps after the liberation, and the complex transport and lodging of masses of prisoners of war and other deported people back to their home countries, at the end of World War II. A 45min 35mm print also exists (shown at Cinémathèque française in 2023).
A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.