A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
1962-01-01
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A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...
On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.
Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
A distraught squatter tries to cope with his werewolf nature through drugs and music.
Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
A man volunteers to take part in an experiment that attempts to analyse human behaviour under extreme conditions of terror. His mission is to remain seated inside a dark room for a length of time of 15 minutes. If he manages to hold on, he will receive in return a generous sum of money. Is it possible to terrify an individual who knows beforehand that everything is a farce?
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been.