Sauacker

Daldongne 33 Up(ko)

Karma Shadub(en)

A young director tries to understand his estranged relationship with his father

Der lange Weg ans Licht(de)

Wrestling For Jesus: The Tale of T-Money(en)

A man from rural South Carolina tries to find solace from the demons of his past by starting a Christian professional wrestling league. His goal is to use wrestling to evangelize his neighbors. However his passion and vision for his ministry are tested when his personal life begins to disintegrate.

The Visit and a Secret Garden(es)

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

Audio and the Alligator(en)

Audio Caña, an old farmer in rural Venezuela, believes there is a giant alligator living in his pond. With his family's help, he's determined to prove its existence to his friends who are often dissuaded by his exaggerated stories.

Mamma(no)

It's Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the evening, she'll find herself in an impossible situation where she's forced to choose.

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Dear Thirteen(en)

A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.

Untitled Al Gore Documentary(en)

An intimate look at Al Gore and his family during the former Vice President's 2000 campaign

Les Autres Chemins(fr)

The Story of the Weeping Camel(mn)

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Ruralista: você não nos alimenta e não nos representa!(pt)

What happened to the children?(sv)

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

Back To Africa(en)

Chris, sous le pont Laënnec(fr)

Under The Sleeping Mountain(fr)

One summer, many years after his mother confided in him about her emotional difficulties with his father, a filmmaker questions his parents, curious about the state of their relationship. At first glance, their situation does not seem to have changed. Curious, he decides to inquire about it. Their activities and discussions both revive nostalgic and fearful emotions. He sees that his mother does not feel the same. From this moment that he realizes the magnitude of the subject and that some things are not accessible to him.

Prisoner of Her Past(en)

Sonia Reich- who survived the Holocaust as a child by running and hiding, suddenly believes that she is being hunted again, 60 years later.

Babushka(ru)

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.

My age, yours, and the age of the world(es)

After the earthquake, my grandmother is facing the loss of her apartment.