Martha Argerich Plays Mozart: Live from Tokyo

Martha Argerich - Chopin(en)

Martha Argerich has been an outstanding Chopin interpreter for decades. In celebration of her 80th birthday on June 5 we present the exceptional pianist’s Complete Chopin Recordings on DG, available as a 5-CD + 1 Blu-ray audio set, and her recordings of Chopin’s solo works and concertos as a limited and numbered 5 LP box, combining the outstanding interpretations of Argerich with the best vinyl quality.

Martha Argerich & Mischa Maisky(en)

At one of her rare appearances with orchestra, Martha Argerich, the grande dame of the piano, joined forces with world-famous cellist Mischa Maisky and the fabulous Lucerne Symphony Orchestra for the world premiere of a newly commissioned work by Russian composer Rodion Shchedrin – “Romantic Offering”, a double concerto for piano, cello and orchestra dedicated to its very first soloists. The programme was rounded off by late-Romantic masterpieces by César Franck, Antonín Dvo?ák and Dmitri Shostakovich’s Ninth Symphony under the baton of renowned maestro Neeme Järvi.

Martha Argerich Evening Talks(en)

Martha Argerich is the last remaining pianist of legend. A wild child and a rebel at heart, this legendary Argentinean musician is surrounded by an aura of mystery: some find her too uncompromising, others generous and beautiful, yet to all she is without doubt incredibly talented. Thanks to these "evening talks", Georges Gachot lifts a corner of the veil: Martha Argerich shares with us her memories, confides in us her doubts, and transmits to us her incredible appetite for music making. Images of Argentina, rehearsals in the concert hall or at home, excerpts of recent concerts and archival clips complete this unique film on one of the most secretive and endearing artists of our time.

Bloody Daughter(fr)

An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.

A Romantic Take - Live from the Pierre Boulez Saal Berlin(de)

Martha Argerich & Friends(en)

Classical music aficionados are in for a treat with this rare filmed performance by acclaimed pianist Martha Argerich. This recording of Agerich's 1982 concert features 12 pieces, including works from Mozart, Schuman, Ravel and Rachmaninov. Argerich also performs a number of duets with the aid of talented guest performers such as Mischa Maisky, Nicolas Economou and Nelson Freire. Biographies of the performers are included as on-screen liner notes

Martha Argerich(en)

Enjoy a rarely captured live concert by Martha Argerich, one of the greatest pianists of the 20th and 21st centuries, a recording performed at the CBC studios in Montreal and containing the only known footage of the virtuoso playing a concerto. Argerich pours her considerable passion and impressive manual dexterity into pieces including Schumann's Piano Concerto, Ravel's "Jeux d'Eau" and Liszt's "Les Funerailles."

Roberto Carlos e o Diamante Cor-de-Rosa(pt)

A statuette bought in an antique shop in Tokyo may lead to the discovery of a great treasure.

A Ziegfeld Midnight Frolic(en)

A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.

The Singing Brakeman(en)

Country singing star Jimmie Rodgers sings three songs in this short: "Waiting for a Train", "Daddy and Home", and "T for Texas", all his own compositions.

9 Songs(en)

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Walk the Line(en)

A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.

Dirty Dancing(en)

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

Gimme Shelter(en)

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Dont Look Back(en)

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

I Adore You(en)

Norman Young wants to marry Margot Grahame but a contract with a producer prohibits her from marrying during a five year period. Norman spends millions to take over the contact.

Frivolinas(es)

Don Casto is a widower who spends most of his evenings carousing at nightclubs while, behind his back and much to his annoyance, Ramon courts his daughter Paquita. One of the vaudeville acts that Don Casto particularly admires is Ramper the Clown. However, when the clown removes his make-up he becomes Ramon. The young couple now try to trick the father into accepting their engagement.

Beethoven: Fidelio(en)

Beethoven Fidelio(de)

This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.

Bunbury: The Freak Show, la película(es)