The Count of Monte Cristo

The Slime People(en)

After Los Angeles is invaded by an army of subterranean monsters, a small group of people must fight for survival in the deserted metropolis.

For frihed og ret(da)

Avatar: Scene Deconstruction(en)

The deconstruction of the Avatar scenes and sets

Object: Alimony(en)

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

With a Right to Kill(da)

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

40(en)

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Avatar(es)

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

23(ru)

Jura is 23 years old - and Lena is 23. They live in Budennovsk, play computer games, walk and learn. They live in a city where Shamil Basayev entered 23 years ago with militants, and know almost nothing about the events of that time.

FILM(en)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Kathleen Madigan: Madigan Again(en)

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Crassus(en)

The day his computer turns into sand, Crassus, brilliant trader, goes insane. Counting the grains of sand like gold, it is lost in the Syrian desert where, as its namesake, the avid triumvir, he finds a tragic death.

Cheyenne Wildcat(en)

Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle.

Doctor Who: Underworld(en)

On the edge of the universe, the Doctor, Leela and K9 encounter a Minyan ship on an epic quest to find their race banks... but their people have encountered the Time Lords before...

Japanese Spiderman: Episode 0(ja)

The Iron Cross Army are sabotaging oil-tankers with the help of their monster, the Sea-Devil, a semi-mechanical anthropomorphic swordfish with an ability to shoot torpedoes from its mouth. Spiderman employs the help of the interpol agent Juzo Mamiya to help him stop the Iron Cross Army.

Leo(en)

A young mother is plagued by a tragic mistake and alienates her little boy. A brilliant writer is released from prison after serving a 15-year sentence and begins working at Vic's Diner. Their stories converge when the man must overcome obstacles of the past to save the little boy and ultimately himself.

Super(de)

The Earth shortly before its end. The houses in the cities are deserted, the streets smashed. The sky shimmers dark gray.

Man(en)

An experimental film through the eyes of a man

Liberation(zh)

Based on real life events, the film is set in January 1949 and focuses around a group of soldiers involved in the final stages of the Battle of Pingjin

Who Is Bozo Texino?(en)

"Who Is Bozo Texino?" is a film study on the 100-year-old tradition of hobo and railworker graffiti. Mostly shot on freight trips across the western US, the film includes interviews with some of the railroad’s greatest graffiti legends: Colossus of Roads, The Rambler, Herby (RIP) and the granddaddy of them all, Bozo Texino. The film also catches some of the socio-economic history of hobo subculture from its roots after the Civil War to the present day. The range of the interviews, and the film’s style deal with both the clichés and the harsh realities of tramp life.