The Legend of Dolemite! Bigger & Badder
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Armed with a camcorder, farmer-filmmaker-activist Severine von Tscharner Fleming spent two years crisscrossing America, meeting and mobilizing a network of revolutionary young farmers resettling the land. 'The Greenhorns' is an ode to their grit and entrepreneurial spirit, an exploration of sustainable agriculture, and an enticement to reclaim our national soil. The ninety minute feature is the culmination of well over 200 hours of original footage from all regions of the United States, as well as original animation by young urban farmer and artist Brooke Budner, and rare agricultural archival footage from the Prelinger Archives. Ultimately, The Greenhorns shows us how farmers can move out of the margins recent history has consigned them to, and back to the heart of the American food landscape.
Dancing the Nutcracker: Inside the Royal Ballet(en)
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Rudy Ray Moore: Live at Wetlands: N.Y.C.(en)
Rudy Ray Moore -- an underground comedian and blaxploitation star of the 1960s and '70s -- revisits his other career as an R&B singer in this 2000 concert filmed live at New York City's Wetlands and featuring special guest Jimmy "Funky Tramp" Lynch. The raucous set list blends Moore's infamous foulmouthed comedy with songs such as "Hully Gully Fever," "Hip Shakin' Papa," "Put Me in the Mix" and "Do You Call That a Buddy?"
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DAS ES(ru)
The long flights of spacecraft have been in the past, as well as the chronicle of accomplishments. Snatches of memory bring to us the fragments of those memories that are confused and do not leave a coherent and consistent trace. All in the past. But was it really ?!
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An interview of Umberto Lenzi discussing the making of his film Almost Human.
Parapontiy Mazley(ru)
In the film, the outstanding contemporary avant-garde poet Vladimir Ignatiev, the heir of OBERIUT, appeared. He played himself and read his own poetry. The film was shot 25 years ago soon after Vladimir received a serious craniocerebral injury, received as a result of the bandit attack.
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Nai Nai follows the story of a Chinese immigrant grandmother, Chu-Ming Wu. Known as “Nai Nai,” Chu-Ming has always been a woman of control. But her grasp of reality and the control of her own mind is slipping away. Told through the lens of her grandson, the film focuses on the joyful, heartbreaking and intimate moments in the last chapters of her life.