The Breathers-In

Loading Trailer Videos...
  • HomePage

  • Overview

    The Breathers-In is a 16mm experimental narrative film in which two Victorian Sisters float through a post-industrial landscape of Loss and Alienation. Through the use of archetypal characters, silent-film aesthetics, and asynchronous sound, The Breathers-In produces a world in which established constructs of identity, race, and narrative itself are slowly splintered apart.

  • Release Date

    2002-03-12

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

    English

Similar Movies

The Illiac Passion
35%

The Illiac Passion(en)

1967-12-30

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

The Death of Abraham Lincoln (In Three Parts)
67%

The Death of Abraham Lincoln (In Three Parts)(en)

1998-01-01

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

Daumë
57%

Daumë(en)

2000-01-01

Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.

the quarry
70%

the quarry(en)

2002-11-16

the quarry is a silent document of five minutes in the presence of the sublime. This small, quiet 16mm film serves as a testament both to cinema’s failure to reproduce the lived moment and to its success in replacing that moment with one that is equally wondrous.

Terra Incognita
58%

Terra Incognita(en)

2002-01-01

Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.

The Tawny
45%

The Tawny(en)

2003-01-01

Where have you been? I have been waiting for you. Let us begin. The Tawny Frogmouth is not an owl. Here is its actual call: hrr hrrrm hrr hrrrm hrr hrrrm.

Extra Terrestrial
45%

Extra Terrestrial(en)

2004-01-01

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

Last Days
75%

Last Days(en)

2004-01-01

The Valley of Fire. Oficina Chacabuco. The Calumet Industrial Corridor. From the outskirts of Vegas to the desert ghost towns of Chile - a pinhole travelogue for the world’s end, for what was left behind.

The Twenty-One Lives of Billy The Kid
60%

The Twenty-One Lives of Billy The Kid(en)

2005-01-01

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

The Red and the Blue Gods
40%

The Red and the Blue Gods(en)

2005-01-01

An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.

La deuxième femme
0%

La deuxième femme(fr)

2008-11-30

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

Brincando el Charco: Portrait of a Puerto Rican
0%

Brincando el Charco: Portrait of a Puerto Rican(en)

1994-01-02

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

Dog Star Man
66%

Dog Star Man(en)

1965-02-22

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

Man with a Movie Camera
78%

Man with a Movie Camera(ru)

1929-05-12

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Impressions from the Upper Atmosphere
60%

Impressions from the Upper Atmosphere(es)

1989-01-01

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

Who?
88%

Who?(hi)

2005-01-30

Suggestions of ancient and modern myths and folklore coalesce in dreams to bring alive a colourful animated world.

Clouds
0%

Clouds(en)

1969-12-19

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

The Happy Accident
0%

The Happy Accident(es)

2020-02-13

Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.

Decasia
64%

Decasia(en)

2002-01-24

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

House
73%

House(ja)

1977-08-26

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.