
Friends of God: A Road Trip with Alexandra Pelosi
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A Portrait of Ga(en)
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Olympia: Part One – Festival of the Nations(de)
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

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William Kunstler: Disturbing the Universe(en)
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Herb & Dorothy(en)
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Pray the Devil Back to Hell(en)
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Trespassing Bergman(en)
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Object: Alimony(en)
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Brent Weinbach: Appealing to the Mainstream(en)
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The Secret Six(en)
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Best of Video Track 77 & 78(en)
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Main Krishna Hoon(hi)
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Life of a Mutt(sr)
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
John(en)
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Fantastic Dining Room(fr)
Showing the interior of a dining room of a modest cottage, whereto enter a young couple to partake in their meal, which is being served up by the maid. Suddenly the legs of the table are extended to three times their height; the dinner being elevated to this extent; in order to reach same they climb into the chairs. The table suddenly vanishes, but makes its appearance in another section of the room. It is practically a chase between them and the table, this finally disappearing altogether, and in its place is seen a gigantic bottle of "Scotch." Further surprising tricks are introduced, making this subject one of unusual interest. (Selig Catalog)

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Witness: Voices from the Holocaust(en)
The stories of nineteen Holocaust witnesses and survivors, including an American POW, resistance fighters, a Jesuit priest, an American liberator, a Hitler Youth, and ghetto and camp survivors, create a narrative of the Holocaust in the words of those who experienced it.

Main Street(es)
A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.

Like a Fish Out of Water(fr)
A seductive femme fatale (Monica Bellucci) and two con men -- one cool as ice, and one who just likes to "ice" his victims -- enlist a mild-mannered, unsuspecting man in their mission to steal a rare and valuable fish. They plan to sell it back to its grieving owner at an enormous profit (talk about "sleeping with the fishes!"). Tcheky Karyo, Michel Muller and Dominique Pinon co-star.