Happily Ever After
Recommendations Movies
Six Children and One Grandfather(en)
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
Who among us!(en)
A single machine is hidden among human contestants. Will they uncover who is the Fake?
Aanchal(hi)
Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!
Everything That I Don't Want(es)
Emma, a girl just out of college is ousted from home by her parents, who consider her irresponsible. Andres is an unsuccessful musician who, being part of a powerful family, has trouble getting his father's approval. Both are a little lost and not knowing what to expect from life, but they know exactly what they do not want: let go of social expectations and never find their own way and identity.
Mémoires du bois(fr)
The Follies of M(en)
The Follies of M tells the story of the Provincial Parish of M, famed for it's quantity and variety of architectural follies and introduces the misshapen residents who indulged in suck reckless construction projects.
The Accident(it)
After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.
Dead & Company: 2023-06-27 Ruoff Music Center, Noblesville, IN, USA(en)
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) It Must Have Been the Roses(Robert Hunter cover) (Tour Debut) Big River(Johnny Cash cover) (>) Dark Star(Grateful Dead cover) (verse 2) Next Time You See Me(Junior Parker cover) (>) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Bird Song(Jerry Garcia cover) (>) Don't Ease Me In(Henry Thomas cover) Set 2: Iko Iko(Sugar Boy and His Cane Cutters cover) Sugaree(Jerry Garcia cover) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Hell in a Bucket(Grateful Dead cover) (>) Wharf Rat(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Touch of Grey(Grateful Dead cover)
Leopard Fight Club(en)
Witness a remarkable coming-of-age story as we track a young leopard's journey from rookie to royalty in South Africa's lethal Big Five landscape. When we first meet Jack, he's clumsy, fearful, and weak, but he's a fast learner - and he'll need to be. He's destined for a showdown with the area's current leopard monarch, an alpha male with a real mean streak. We follow Jack as he hones his skills and builds up muscle for the ultimate catfight. It's a battle where only the winner will walk out alive.
Krishnam Pranaya Sakhi(kn)
Krishna, a business tycoon, meets Pranaya, an orphan who runs an orphanage. Krishna, worried that his socio-economic status may separate him from Pranaya, pretends to be a driver and becomes employed by Pranaya. Pranaya soon learns about Krishna's identity, but she later accepts his love.
Hybrid(en)
A group of space renegades hook up with a drifter named McQueen. Together they hole up in an abandoned research facility for the night and are relentlessly pursued by a human/monster hybrid.
Martin Lawrence: You So Crazy(en)
Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.
O Cinema é Minha Vida(pt)
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
The Red Thread(en)
Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.