
Fake-Out
Top 10 Billed Cast
Michelle
Roberta
Slot Lady
Slot Lady
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7.6Boyz n the Hood(en)
In the middle of the Los Angeles ghetto, drugs, robberies and shootings dominate everyday life. During these times, Furious tries to raise his son Tre to be a decent person. Tre's friends, on the other hand, have little regard for the law and drag the entire neighborhood into a street war...
7.6Out of the Past(en)
The peaceful life of a gas station owner is disrupted when a man from his past arrives in town and forces him to return to the dark world he had tried to escape.
6.4Diamonds Are Forever(en)
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
6.8Four Weddings and a Funeral(en)
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
7.0From Dusk Till Dawn(en)
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
8.5GoodFellas(en)
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
6.6Austin Powers: International Man of Mystery(en)
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
6.0Austin Powers in Goldmember(en)
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
6.6Playing by Heart(en)
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4.3Playing Around(en)
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.
6.9Monsieur Hulot's Holiday(fr)
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
7.6Blue Velvet(en)
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5.8The Sweet and the Bitter(it)
Saro, a young Sicilian thug, that from jobs assigned by his godfather, won the favor of leaders of Cosa Nostra, becoming a "man of honor".
6.6Black Rain(en)
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
5.8Blondie Johnson(en)
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7.3Road to Perdition(en)
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3.9And the First Matakias(el)
An unruly voyeurism, Simos, works in a hotel as a bourgeois. A gang of burglars has put in the eye of the hotel's safe. The members of the gang - five in number and very pretty women - are staying at the hotel, waiting for the proper opportunity for the burglary. Meanwhile, the hotel's daughter, Myrto, seeing that the hotel is not doing well, and believing that some people sabotage the business, represents the receptionist, in order to learn from the inside exactly what is happening. The passion of Simos makes him a companion of the five women's gang's plans, both to frustrate the burglary and to win the hand of Myrto, who has fallen in love with him.
7.6Mildred Pierce(en)
A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
6.9Mr. Brooks(en)
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Film(en)
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
7.6The Seed of the Sacred Fig(fr)
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6.8The Way Back(fr)
Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.
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When social worker Shu-fen discovers that her pregnant teenage daughter Ya-ting has disappeared, her search for Ya-ting ends her with many horrifying mysteries… Meeting the mysterious Mei-hua who imprisons her own daughter inside her house covered with papers written with spells and encountering the missing and pregnant Yi-chun in an abandoned hospital, the trio returns to the Red Forest to rescue Ya-ting and Shu-fen finally realizes that the deepest fear arises from love…
6.8Film(en)
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
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