Coffee, Cake & Crematorium

Over Jordan(en)

Educational film about the funeral process. Narrated by pastor Dr. S.A. Owen of Memphis, Tennessee.

Tender(en)

A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

Masters of Menace(en)

When one of their own dies, members of a motorcycle gang travel the country to take home the body of their recently deceased friend. The problem is, they must also outrun a pesky lawyer who is trying to bring the group to justice for breaking their probation.

Still Life(en)

A council case worker looks for the relatives of those found dead and alone.

Death Can Be a Funny Business(en)

A funeral home director who moonlights as a stand-up comedian must learn to cope with four ghostly visitors who appear during his daily life and performances.

Scoring Resident Evil(en)

Resident Evil featurette.

Proud in a Pandemic(en)

An unflinching & inspiring feature documentary that examines the experiences of 22 Los Angeles community members & leaders through this historic time and the lessons learned from their forebears of the HIV/AIDS pandemic & COVID – 19, including the use of “Expanded Access” program championed during the AIDS crisis by ACT UP” to the CoVID 19 vaccines. “PROUD in a Pandemic” captures a moment in time when despite these struggles, the breadth and diversity of the LGBTQ+ community is becoming more connected and united than ever before. The PROUD in a Pandemic film is a time capsule of stories about the innovation, survival, and resilience of the LGBTQ+ community.

The Miracle of Saint Anthony(pt)

In the middle of June the village of Santo Antonio de Mixoes da Serra in the Valdreu region of Northern Portugal honours its Patron Saint with a very special festival. On this day the local farmers bring their animals to the church – cows, horses, dogs, cats, chickens, rabbits – to be blessed. This ancient tradition is passed from generation to generation, and today, just as hundreds of years ago, animals and people flock up the mountain roads to the church square to become a part of the religious festival. The film is about this miracle.

Götz von Berlichingen(de)

Promises to Keep(en)

An aging cowboy returns to the family he abandoned 30 years ago with a terrifying secret.

An Innocent Love(en)

This romantic drama focuses on the romance between a 14-year-old mathematics genius and a 19-year-old All-American volleyball player.

Rockin' the Wall(en)

Rock and roll's part in bringing down the Berlin Wall and smashing the Iron Curtain is told from the perspective of rockers who played at the time, on both sides of the Wall, and from survivors of the communist regimes who recall the lifeline that rock music provided them.

A Holiday Romance(en)

A superintendent, trying to save his high school's troubled finances, falls in love with a teacher whose music program he must cut.

Shahida: Brides of Allah(ar)

Israeli director Natalie Assouline chronicles the lives of women, mostly young mothers, in prison for involvement in failed suicide attacks/terrorists attacks in Israel. Filmed over two years, this portrait strives to unearth the motivations behind their crimes. With the women's heads and feelings firmly covered, the film reveals no answers, just the heart-breaking tension between humanity and ideology.

The Ghost Cyclone(es)

The Luján River, the Basilica and an amusement park. Fabián, set designer and creator of horror labyrinths, builds the Ciclón Fantasma. Alejandro and Rosa walk along the riverbank looking for fossils. The characters seek to make their dreams come true in a space full of myths and beliefs.

Leaving Romero(es)

After 140 years, there are alternatives to an asylum. Leaving Romero closely follows the experience of deinstitutionalization, focusing on the lives of the users and those who are the driving force of this process: the young people who make up the Movement for Deinstitutionalization in Romero.

Imprenteros(es)

Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.

Maria Stuart(de)

Tragicomedia Neoliberal(es)

Der Menschenfeind(de)