Hitler's Museum

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Balkan Baroque(fr)

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

Ford at Pearl(en)

A look at the recently discovered fascinating behind the scenes footage shot by the legendary Hollywood director John Ford at Pearl Harbor in 1942 while filming his popular World War II documentaries December 7th and The Battle of Midway.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Hitler et les apôtres du mal(fr)

Unsettled History: America, China, and the Doolittle Tokyo Raid(en)

Doolittle's Raiders pull off a one-way bombing run over Tokyo and ditch their planes in and along the coast of China, where they are rescued by Chinese villagers, guerrillas, and missionaries. That generosity triggers horrific retaliation by the Japanese that claims an estimated quarter-million lives and prompts comparisons to the 1937-38 Rape of Nanking. The memory of the Raiders and their rescuers is kept alive by their children and grandchildren.

In der glanzvollen Welt des Hotel Adlon(de)

The documentary tells the story of the Berlin luxury hotel, which was built by the director's great-grandfather and fell victim to a fire shortly after the end of the Second World War.

2 or 3 Things I Know About Him(de)

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Coming Out Under Fire(en)

A historical account of military policy regarding homosexuality during World War II. The documentary includes interviews with several homosexual WWII veterans.

Détruisez Paris !(fr)

Brigadistas(de)

Seeds of Destiny(en)

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

Andrew Weyth, The Helga Pictures(en)

Charlton Heston tells the fascinating story of the intertwining of Andrew Wyeth's biography and art. He discusses themes of regeneration and fertility. An overview of Wyeth's place in contemporary art.

The American Invasion(en)

In January 1942, the order activating the 'US Air Forces in the British Isles' was announced. On 12th May, the first contingent of USAAF personnel arrived in England, the beginnings of what was to become the largest air force in the world. The British people had never seen anything like them. Michael Brandon (Dempsey and Makepeace) presents the story of the courageous young Americans who fought the war from the foreign fields of eastern England. And of the local populations who welcomed them, resented them, admired and loved them. "The American Invasion" provides a powerful record of a momentous period in American and British history.

Memphis Belle in Color(en)

In January 1942, the U.S. military created a new bomber command, the Eighth Air Force, and sent a small contingent of men overseas to loosen the Nazis' grip on Europe. The command's star player was the B-17, a fast, heavily armed aircraft that changed the course of World War II. Witness them take on the mighty German Luftwaffe over enemy skies. Discover the story of how one B-17--the Memphis Belle--and its crew lifted the spirits of a nation and became a symbol of American prowess in defense of freedom.

No Job For a Woman(en)

Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.

Sam(en)

A 1971 film study of a Japanese American who lived in a detention camp during World War II.

1940: Taking over French Cinema(fr)

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

The Witnesses(fr)

This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.