West Coast Pop Art : From the 40's to the 21st Century. Hot Rods, Pin-ups, Movies, Music, Flame Jobs, Posters, TV, Comics, Cowboys, Monsters, Tikis and Cartoons. All these things are influences on the Artists creating the work sometimes referred to as Lowbrow. Visceral beautifully realistic artwork tapping into the vein of media culture that surrounds us daily. Edgy, energetic and entertaining, this dynamic West Coast movement is changing the way we appreciate art and making it accessible and enjoyable to everyone.
2006-01-07
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Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists. Kaarel changed his creative direction several times; he explored different artistic styles. Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history.
Alastair Sooke champions pop art as one of the most important art forms of the twentieth century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.
Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.
Jim Dine at work and at home. Includes footage of Dine discussing his life, his artistic development, and what is called "ugly" in his work. Examines a number of Dine's works from different periods, including his tie paintings, tool paintings, palettes, collages, and "happenings," and considers Dine's concern with objects in his work.
In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.
Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.
Prior to his Pop-art fame in New York, Roy Lichtenstein struggled to find work and raised a family in Cleveland. His wife Isabel helped support him as he developed his signature style. But, before he could establish his career, she had to give up hers.
A documentary about Fausto Delle Chiaie, an italian artist. He worked in many european countries and spent the last 30 years exhibiting on the streets of Rome creating his own 'Open Air Museum' made of artworks, living sculptures, performances and... a lot of irony.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.
A story about the relationship between independent Soviet art and the West. It recalls a time when art was larger and more important than life itself. On one side, there are independent Soviet artists who lack not only the output but also the finances to complete their works. On the other side, there is the tempting West whose ambassadors (in the literal sense) take active interest in the Soviet underground art market. Selling one’s works to the West is a tricky business since the almighty KGB stands between the two mutually interested parties. Nevertheless, an incredible quantity of mainly Estonian and Moscovian visual art is sold and taken across the border. This is facilitated mainly by Western diplomats, behind whose coordinated actions stands none other than the CIA.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
An exploration of the work of controversial pop artist Allen Jones, whose erotic sculptures have angered feminists, challenged his contemporaries, and delighted collectors and gallery goers worldwide. WOMEN AND MEN attempts to demystify the artist through discussion with prima ballerina Darcey Bussell, wife Deirdre Morrow, fellow artist Gary Hume, and Jones himself.
The documentary details the 'Pulped Fiction' project by British visual artist David Shrigley, who has produced a limited run of 1,250 copies of George Orwell's dystopian novel 'Nineteen Eighty-Four' made entirely from the pulped remains of unwanted copies of 'The Da Vinci Code'.
Like reading the back pages of a discarded journal revealing the thoughts of a young man slipping into madness, Hers Is A Lush Situation mixes a disjointed narrative with an underlying thread of black humor to give a subtle view on what young, urban lives really look like today.
Los Angeles-based artist Ed Ruscha’s 1975 short film Miracle centers on a day in the life of an auto mechanic (played by artist Jim Ganzer), who has a transformative experience while working on the engine of a Ford Mustang. Actress and singer Michelle Phillips of the Mamas and the Papas plays his love interest. Since the 1960s, Ruscha has received extensive critical acclaim for his paintings, photographs, drawings, and books exploring the commercial vernacular of Los Angeles—its graphic signage, architecture, and even parking lots. In effect, his work subtly comments on America’s cultural and socioeconomic evolution in the twentieth and twenty-first centuries. Miracle is one of only two films made by the artist in the 1970s. – Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator
A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
A look into the unique and rich friendship between pop art legend Andy Warhol and neo-expressionist icon Jean-Michel Basquiat, exploring their extraordinary creative partnership during the 1980s, and how their work together was propelled by their contrasting beliefs.