The documentary examines the relationship between the indigenous African wildlife, the villagers who live amongst this wildlife and conservationists who look to keep tourism dollars coming in. Both the Massai of Kenya and the Ovahimba of Namibia have spent centuries as cattle farmers. With their lands being turned into protected game reserves, these ancient tribes have turned to tourism as a means of survival. While some environmentalists think that community-based conservation is ideal for these villagers, the dangers of drought and the starvation of their cattle remains a constant reality.
2009-02-16
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7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
0.0Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.
0.0When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
Brown hyena expert Ingrid Wiesel wants to find her favourite study animal, named Tosca, who has disappeared from her home range on Namibia’s wild west coast. Ingrid's spent the last 17 years studying brown hyenas - now she must journey deep into Tosca's world to discover what exactly has forced her to leave her traditional hunting grounds.
0.0Boy Dallas lives in the slum of Kibera, the capital of Kenya, Nairobi. He is a radio host, "The Voice of Kibera." Dallas is a self-taught cameraman, and with a spare camera, he sets out to find out why the neighborhood, which has long been the target of aid, is still in such terrible trouble.
0.0A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.
5.5People go and search for the legendary Bigfoot creature.
7.8A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
7.3In the Namunyak Wildlife Conservancy in Kenya drought is a menace to both humans and animals. This documentary follows two Elephant Guardians in their tireless work to protect this endangered species.
7.1The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.
2.7The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.
0.0An apocalyptic sound of roaring machines incessantly intrudes into the habitats of man and nature. Barren landscapes and deserted villages linger in hypnotic restlessness. A self-destructive system meets resistance.
0.0Milah van Zuilen, visual artist and forest ecologist in training, uses the square to deal with the habit of people to construct nature. Square Fieldwork is filmed in the Bohemian forest in the Czech Republic and the concrete structure of Barendrecht, The Netherlands.
7.0Disenchanted by the modern world, Michael Lees heads into the forest of Dominica with some basic survival gear, religious texts and a camera. "Why did man ever leave the forest? And what makes for a good life?" Just as he starts to acclimatize to his new life - the unexpected; Category 5 Hurricane Maria, one of the top ten strongest Atlantic hurricanes in history, makes a direct landfall. Michael is caught out in the open in a palm leaf and bamboo hut. With the nation in ruins, the forest destroyed, and essential services knocked out islandwide, the entire country must now return to a past way of life if they hope to survive.
6.4Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
6.0The region of Lake Turkana, located in Kenya and Ethiopia, is considered to be “the Cradle of Humankind”. Among other finds, primate fossils from millions of years ago have been discovered in the region. But what about the region’s modern inhabitants and their relationship to their environment? Iiris Härmä, whose previous work includes the award-winning Leaving Africa, had the chance of joining Helsinki University’s researchers, Álvaro Fernández-Llamazares and Mar Cabeza, on their pre-pandemic trip to study the Daasanach people’s relationship to their environment through traditional animal tales. The researchers hope that storytelling would help to bridge the gap between people’s everyday lives and conservation efforts.
7.0Newly into addiction recovery, an urgent threat emerges to spur filmmaker, Mark Titus back to the Alaskan wilderness - where the people of Bristol Bay and the world's last intact wild salmon runs face devastation if a massive copper mine is constructed.
10.060 years ago, almost nothing was known of elephants in the wild. But then one young Scottish biologist changed that forever. In 1965 Iain Douglas-Hamilton arrived in Tanzania to live alongside African elephants. Later joined by his wife Oria and daughters Saba and Dudu, elephants became central to their lives with matriarch Boadicea and gentle young mother Virgo cherished like human relatives. But this garden Eden was short-lived as an ivory poaching epidemic swept across Africa forcing Iain to switch from pioneering scientist to maverick conservationist. He became a lone crusader against the international Ivory trade which was finally banned in 1989. Now back in the field and revealing even more about the fascinating world of elephants, Iain’s work continues alongside a new generation of Kenyan conservationists. This inspiring documentary combines stunning wildlife imagery with the story of a remarkable life showing how sometimes you have to stand alone to protect what you love.