London, 1940. Aspiring jazz musician and future comedy legend Terence "Spike" Milligan reluctantly obeys his call-up and joins the Royal Artillery regiment at Bexhill, where he begins training to take part in the War. But along the way Spike and his friends get involved in many amusing - and some not-so amusing - scrapes. A film adaptation of the first volume of Spike Milligan's war diaries.
1973-06-12
4.8
As sole heir to a relative's estate, Wendel is surprised to learn that the only thing he's been left is a riddle. However, he and his musician friend, Lou, are soon thrust into a comic chase, as an assortment of unsavoury characters, underworld figures, and even private investigators, are after them for the inheritance - and they don't know what it is!
A hospital surgeon (James Dunn) protects a mystery woman (Gloria Stuart) who knows too much about a card-game murder.
A feature documentary about the writer JT LeRoy - Ethically charged, controversial, and confusing, JT’s life and death sprang open a Pandora’s box of powerful questions about literature and culture, identity and celebrity, and the reality of the society we live in. Fraud? Art? Mental illness? Complicity? The Cult of JT Leroy will be a testament to this bizarre and elaborate story that has captured the attention and fascination of the world’s media, and perplexes to this day.
Cutting and sewing as metaphors. Central to this work is the complex emotions surrounding love, separation, and the metonymic twinning of objects, including that of edited images and saturated sound. “AMOR is an exquisite lyric, shot in Rome and at the natural theatre of Salzburg. The recurring sounds of cutting cloth, hands clapping, hammering, and tapping underline the associations of the montage of short camera movements, which bring together the making of a suit, the restoration of a building, and details of a figure, presumably Beavers himself, standing in the natural theatre in a new suit, making a series of hand movements and gestures. A handsomely designed Italian banknote suggests the aesthetic economy of the film: the tailoring, trimming, and chiselling point to the editing of the film itself.” (P. Adams Sitney, Film Comment).
Following a meltdown that leads to a suspension, professional golfer Zoe Papadopoulos travels to her grandparents' village in Greece to escape the harsh spotlight of the international
After being involved in a hit and run incident, a wealthy spoiled brat was sent to prison and must learn several tricks in order to survive the life inside.
Cristina is a young literature student who works at night in a bar, Rosa is a brilliant executive in his thirties, and Anna is married and has one son. All three are sisters, and every one thinks her life is worthwhile and that their sisters have taken the wrong way. But it is time to recognize their dissatisfaction, and perhaps they are needed more than they are willing to admit ...
Around the table, three young women engaged in a real Cold War. Lisa, loving, expecting her man wisely; Alicia, the revolt, blamed a lack of independence. Charlotte, middle, is witness this duel rages contained and underlying tensions.
The boys show up simultaneously to take Olive to the movies. She needs to visit the hairdresser first, and tells the boys to take care of Swee'Pea: bath, dress him, and nap. Of course, with these two, nothing is simple.
Young couple are trapped in an isolated mansion while members of a criminal gang are killing each other off on the premises.
The whole family is helping with preparations for Danuta and Maciej’s golden wedding anniversary party. Danuta knows exactly what she wants and delegates her wishes to those around her. Her German niece Alexandra, the maker of this film, has travelled to Warsaw to take part. Barely has she sat down at the kitchen table when a heated discussion ensues. Be it abortion or migration, it soon dawns on Alexandra that her view of the world could not be more different from that of her right-wing conservative relatives in Poland. Alone in her ‘liberal’ view Alexandra is mocked as a victim of western propaganda… Filmmaker Alexandra Wesolowski uses a family gathering as an opportunity to portray her own family and allows us intimate insight into Polish society and the populist national-conservative Europe of today.
Two broke best friends unexpectedly find themselves in the center of attention after pretending to be lovers at their school reunion. However, an old flame threatens to tear them apart.
Abandoned by the father of her child, the begging young mother desperately seeks refuge in a monastery church....
Mahama Konaté, a great musician from Burkina Faso, initiates his son Foko into traditional culture with a musical instrument, the African xylophone. He shows him how to make one, and recounts its mythical origins; he desribes the sacred and profane role this instrument plays in society.
Utilizing the impressionistic techniques of IN THE CITY OF SYLVIA (if SYLVIA was a riff on the “city film,” the more miniaturized MEMORIES might be termed a “street-corner film”), Guerín uses a disturbing incident in his Barcelona neighborhood to thread together a rich tapestry on music, culture, community, the fragility of life, and the tenacity of life.