Plinio
Paride
Maria Libera
Vittoriano
A sexy graduate student is giving her thesis presentation, which creates quite a stir since it reveals that she has just posed as a prostitute for several months to do sociological research for her thesis. She relates various stories of her experiences to her salivating thesis committee and a large audience of curious on-lookers.
In this documentary, director Mariana Otero looks at the daily life of a college in the "difficult" commune of Saint-Denis in the suburbs of Paris.
A man, the heir to an empire, believes that marriage will ruin a man's life. Unfortunately, the only way for him to inherit his father's wealth, is to get married.
A young actress rehearsing for a play about human trafficking begins to relive terrifying scenes that may be dreams -- or an alternate reality.
While conducting a pagan ritual in the woods with her friends, Kirsten inadvertently awakens the spirit of a demonic Christmas elf involved in a neo-Nazi plot to bring about the master race. After the rent-a-Santa in her department store is murdered, an unemployed, alcoholic ex-cop takes the job and the two set out to unravel the mystery.
A day at an Italian trial court, where a magistrate judges a full array of peculiar petty crimes and characters.
In order to boost circulation of his newspaper, Lord Rawnsley announces an air race and offers £10,000 to the first person who can fly across the English Channel. But one of the participants, Percy, plots to sabotage his competitor's planes. Will Percy triumph?
Elba island, 1814. Martino is a young teacher, idealist and strongly anti Napoleon, in love with the beautiful and noble Baroness Emily. The young man finds himself serving as librarian to the Great Emperor in exile, whom he deeply hates, yet soon begins recording Napoleon's memoirs, getting to know and learning to value the man behind the myth. Among seductions and affairs, expectations and fears, he will craft a precise portrait that nevertheless will not manage to hide a final, inevitable, disappointment.
A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.
Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.
A woman is being stalked by a stranger. His stalking turns to blackmail when he sends her copies of photos of her in an embarrassing position. Now he controls her and she has to do anything he says. Anything.
Max is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Eventually Max is placed in a concentration camp where he pretends to be Jewish because in the eyes of the Nazis, gays are the lowest form of human being. But it takes a relationship with an openly gay prisoner to teach Max that without the love of another, life is not worth living.
Eight Italian politicians from the communist party gather on a terrace in Rome for a get-to-gather. They discuss about their past, present and future.
Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.
A 1977 Italian comedy film composed of 14 episodes, directed by Dino Risi, Ettore Scola and Mario Monicelli. It is a sequel to I mostri, made in 1963.
Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.
Back from the hospital where he has been treated after a heart attack, Lorenzo is on his way upstairs to his top-floor apartment in Naples when he meets Michela. The charming young woman, who has just moved to the facing apartment, has forgotten her keys and finds herself locked out. Cynical and grumpy, the retired lawyer who has been living estranged from the rest of the world, should normally leave her to her fate but he mellows under her spontaneous charm. He helps her, becomes friends not only with her but with her husband Fabio and their two children. For once, the self-declared misanthropist seems to be experiencing the long forgotten feeling of empathy.
After his daughter is assaulted and left with an injury that may jeopardize her opportunity to study in the UK, a Romanian doctor decides to do whatever it takes to secure her future.