To Die in Jerusalem
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7.4Control Room(ar)
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8.6Nirvana: Unplugged In New York(en)
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Sister Aimee(en)
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0.0The Sunrise Storyteller(en)
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Ella Fitzgerald's voice is a phenomenon and unrivalled to this day. She had the perfect pitch and perfect intonation. Ella's voice spanned three octaves, her phrasing seemed effortless. There is almost no style of music, in which she did not excel, and her numerous - now legendary - recordings of the 'Great American Songbook' with pieces of US composers such as George and Ira Gershwin, Harald Arlen, Cole Porter or Duke Ellington, remained a benchmark for the "right" interpretation of those songs for generations of singers. In the film the focus will be on the voice of Ella Fitzgerald. We want to unravel the secret of her voice through many different people (musicians, singers, critics etc.), who will tell about what impact her voice had on them and still has. We want to learn more about Ella´s life to find out what made her sing like she did and only she could.
0.0The Art of Destruction(de)
The unique music documentary about the legendary thrash metal band Destruction.
6.2Germany in Autumn(de)
The film does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two-month time period during 1977 when a businessman was kidnapped and later murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
6.3Persecution Blues: the Battle for the Tote!(en)
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
Plains: Testimony of an Ethnocide(en)
A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
5.6How to Cook Your Life(de)
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
0.0Journal No. 1 - An Artist's Impression(en)
In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.
Chuck Close(en)
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7.6The Zerda or the Songs of Forgetting(fr)
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
9.7And There Was Israel(fr)
The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.
0.0Roundup(en)
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3.0Shameless: The Art of Disability(en)
Art, activism and disability are the starting point for what unfolds as a funny and intimate portrait of five surprising individuals. Director Bonnie Sherr Klein (Not a Love Story, and Speaking Our Peace) has been a pioneer of women's cinema and an inspiration to a generation of filmmakers around the world. SHAMELESS: the ART of Disability marks Klein's return to a career interrupted by a catastrophic stroke in 1987. Always the activist, she now turns the lens on the world of disability culture, and ultimately, the transformative power of art.
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