Women Reply

Top 4 Billed Cast

Agnès Varda
Agnès Varda

Self (voice)

Maryline Even
Maryline Even

Woman (uncredited)

Caroline Baudry
Caroline Baudry

Self (uncredited)

Catherine
Catherine

Pregnant Woman (uncredited)

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Similar Movies

Displaced Perssons
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Displaced Perssons(sv)

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Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

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Contrary to the public stereotype of a youthful homosexual community, gay men and women do grow old. Silent Pioneers presents an upbeat focus on the lives of these people today, showing them living full and diverse lives and sharing concerns on ageing, health and housing, with other senior citizens. It also considers how support networks within the gay and lesbian community have enriched and strengthened their individual lives.

Dig!
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Dig!(en)

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Jesus Camp
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Jesus Camp(en)

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We Will Definitely Talk About This After the Last Air Raid Alert Stops
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We Will Definitely Talk About This After the Last Air Raid Alert Stops(uk)

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A utopia of a post-war city that launches a rewilding. The program is an attempt to create a new society where the aims of people do not stand in the way of the aims of other people, trees, rivers, chipmunks, mushrooms…

The American Nurse
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The American Nurse(en)

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This short film displays the dynamic movement of people as they enter and exit parks in Paris.

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Buddhist monks open up about the joys and challenges of living out the precepts of the Buddha as a full-time vocation. Controversies swirling within modern monastic Buddhism are examined, from celibacy and the role of women to racism and concerns about the environment.

Beethoven's Symphony
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After constantly moving, two students finally find the opportunity to start a family by adopting a stray dog.

Grow a Better Dallas
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Traces, empreintes de femmes
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Traces, empreintes de femmes(fr)

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« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

Home Truth
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Home Truth(en)

2017-06-10

In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.

Lost in Lebanon
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Lost in Lebanon(en)

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Adele and Everything After
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On Sugar Workers' Quarters
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Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.

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"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

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