Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.
1990-01-01
5.8
Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Eagle Chief Yoh Xi-hung raises orphans to be his personal killers. One such is Chik Ming-sing who now wants to put his killer life behind him. When the Eagle Clan come after him, a stranger called Cheuk comes to his assistance It turns out that Cheuk is the son of a family who were robbed and murdered by the Eagles. Now they will team up to destroy the evil clan.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
In the background of a lot interest being shown in music groups, a group of young Indian men, calling themselves "Band of Boys", decide to perform publicly, to share their talents India-wide, as well as to make a career for themselves. They run into problems - it seems the public is only interested seeing a group of sexy young girls perform. This group must now compromise to include a young, sexy girl to be included in their band.
Baalu Belagithu is a 1970 Indian Kannada language drama film written and directed by Siddalingaiah. It stars Rajkumar, Jayanthi and Bharathi.[1] The film was released under Chitrashree International banner and produced by K S Prasad, B V Srinivas and A S Bhakthavathsalam. It was remade in Telugu as Manchivadu, in Hindi as Humshakal and in Tamil as Oorukku Uzhaippavan.
Surf's up for Barbie as she returns as Merliah, the fun and fashionable surfing champion who's also a magical mermaid princess! In this exciting sea-quel, Merliah makes a splash when she heads to Australia for the ultimate surfing competition. When the evil mermaid Eris escapes from her whirlpool with plans to take over the throne of Oceana, Merliah and her sea friends dive in to stop her. It's a fresh new adventure where Merliah learns that anything is possible and she really can have the best of both worlds!
The third solo concert by Sergey Orlov, recorded in November 2021.
An experiment transposing a painting by the artist Jacqueline Bosson into film. A particularly delicate exercise which consists of preserving the quality of both the colors and the range of blacks and whites, of directing the gaze to a single part of an ensemble predefined by one of the many factors involved in “making visible”, without turning away from the the fact that one’s attention is liberated from the noises and distractions of the gallery, of the museum, of the world… — different and similar from those the screening room — an inevitability of light.
Cord Hosenbeck and Tish Cattigan return for their annual round of live Rose Parade coverage. Cord Hosenbeck and Tish Cattigan are no strangers to the iconic New Year’s tradition of the Rose Parade, having covered the event for the past twenty-six years. After a whirlwind year that included traveling abroad to cover the Royal Wedding, the duo are more excited than ever to return to Pasadena. The esteemed Tim Meadows will also return for the festivities.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Loukas has been living in Africa for many many years, working hard to send money to his family who has stayed in Greece. When the time has come to return home, he decides to surprise his family and arrives to Greece without telling them that he's coming. Loukas is anxious to see his wife and his grown-up children after so long, but they may not share the same feeling.
Young man has his dreams come true when the sexy new maid seduces him. But she also has a secret that leads to trouble.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.