People Like Ghosts

Ferrum(sv)

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

All Blurry Around the Open Flame(en)

A short film about the abstract processes of light becoming a physical form in the landscape.

All Dirt Roads Taste of Salt(en)

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Winter Video(nl)

A collection of personal footage from the end of 2024. A mix of private holiday scenes and cold city cinematography, in differing video quality. You can see it as a creative video diary.

MIMIC(en)

Suffocating under poverty, Ferris finds a door to another world that may provide her the perfect escape - If only her struggles don't follow her.

bubble skin(en)

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.

February 14, 1992(en)

With some amount of irony, filmmaker Joe Biglin strings together 7 shorts about himself and things that trigger his OCD.

All My Friends(en)

In the weeks leading to Allie moving across the country, her best friend Jacob reckons with life without her in this intimate story of leaving and feeling left.

Six Weapons of Post-Modern Time Travel(en)

Somewhere in stoic, rural Russia, at the edge of mapped time and memory, a snowbound airport idles in stillness. Six Weapons of Post-Modern Time Travel indifferently observes as time stretches beyond the runways. Absence hums under old fluorescent lights as the ordinary turns spectral. This film documents the weight of a place coming to terms with silence, holding it's breath as departures have outlived arrivals.

Pura Sangre(en)

Frankie and Lucky, two young artists navigating love and identity in New York City, cross paths again after years of separation. Their reunion in a bookstore triggers a flood of memories, reopening wounds from their past relationship. As Frankie revisits the apartment they once shared, she reflects on their tumultuous past—Lucky's struggle with trust, Frankie's desire for autonomy, and the emotional weight of unspoken truths.

My Body, My Rules, & Them(tl)

The film is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.

Caterpillar(ja)

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Favorite Places(uk)

Ivan Melnychuk documents the changes in Kyiv, focusing on the ruins of buildings constructed from the late 60s for workers. As an architect, he observes the ‘improvements’ of public spaces, highlighting small gestures common in Ukraine. These actions, driven by pragmatism, involve occupying spaces without considering broader effects, reflecting a persistent situation where public spaces are subtly manipulated.

The Park Closes at Sunset.(en)

An experimental short film exploring themes of depression and existentialism through various empty spaces and poetic narration by a young French-speaking woman.

De Wind(nl)

Ophelia(fr)

At night, a woman at different ages loves, suffers and frees herself. She’s called Ophelia.

3/60: Trees in Autumn(de)

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

Heaven Doesn’t Know My Name(pt)

A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.

J'ai grandi ici(fr)

Breki, a 20-year-old man, returns to the neighbourhood where he grew up to make a documentary film about his own childhood.

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Blue(en)

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

One Last Adventure: The Making of Stranger Things 5(en)

An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.

Naqoyqatsi(en)

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Re/cycle(en)

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

I'm Thinking of Ending Things(en)

Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.

Unthinkable(en)

The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.

All of Us Strangers(en)

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.

Manhatta(en)

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

Safe(en)

Carol White, a Los Angeles housewife in the late 1980s, comes down with a debilitating illness with no clear diagnosis.

Mary Shelley's Frankenstein(en)

Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.

Interstellar: Nolan's Odyssey(en)

A look behind the lens of Christopher Nolan's space epic.

Chronos(en)

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty(en)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Be My Cat: A Film for Anne(en)

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

Starman(en)

When an alien takes the form of a young widow's husband and asks her to drive him from Wisconsin to Arizona, the government tries to stop them.

Sometimes I Think About Dying(en)

Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.

Obi-Wan Kenobi: A Jedi's Return(en)

This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.

The Director and the Jedi(en)

An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.

Symbiopsychotaxiplasm: Take One(en)

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?