
Through rhythmic editing and a focus on abstract forms, Godard continues his investigation into the language of images and the deconstruction of everyday objects.
1990-01-01
7
5.0Harry Fox performs his vaudeville act.
0.0Arrogant superstar chef Alex Fine pursues the impossible dream of earning a fourth Michelin Star.
The making of the hoax film Miracles of Evolution.
7.9Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
0.0Jaime, a nostalgic old man, gets a device that can make him relive his memories, which he uses to see the last Christmas he lived with his family in 1995. This will show him that all memories have a price.
5.8Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
7.0Leon's wife wants to surprise him by buying the cabin where they had spent their honeymoon. But when she secretly meets with the man who owns the cabin, Leon misunderstands what she is doing, and gets suspicious. When his friend at work convinces Leon that his wife is going to run away with another man, Leon decides to take immediate action.
7.0Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.
9.0Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
10.0In a distant part of the forest, Smmr is celebrating her birthday with her friends. In just a snap, Smmr found herself land in an unexpected place far from what she expected. Will she be able to return home intact?
6.3The Lonely Island spoofs Jose Canseco and Mark McGwire in this visual rap album set in the Bash Brothers' 1980s heyday.
4.4Michel is a funny boy, a kind of intellectual. With Pauline, a very beautiful girl he met on the beach, they are going to get naked and discuss surrealism, sincerely and without trickery. But who are they really?
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
5.7Two strangers meet in a motel room where everything is not as it seems.
6.3An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
Three dead teenage boys come alive for one night to take revenge on the bullies who killed them thirty years ago.
0.0In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.
4.7It is not easy to find love, especially if you are falling apart, stinky and a little bloody around the edges. Welcome to Rotting Hill, where the extinction of humanity has led to the rise of a new species - ZOMBIES.
6.6A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.
7.0Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
6.9Mike discovers that being the top-ranking laugh collector at Monsters, Inc. has its benefits – in particular, earning enough money to buy a six-wheel-drive car that's loaded with gadgets. That new-car smell doesn't last long enough, however, as Sulley jump-starts an ill-fated road test that teaches Mike the true meaning of buyer's remorse.
6.5The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
7.8Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
7.0Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
6.9The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
7.1A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
6.7A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
7.0The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.
7.0The most comprehensive retrospective of the '80s action film genre ever made.
7.9Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
6.8As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
7.6A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
7.7Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
8.3Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
7.6When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".