La Vuelta- Memorias de Villa Gesell.

Compañero Fernando(es)

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Ceremonia secreta(es)

Nadie inquietó más(es)

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Hotel Gondolín(en)

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

Gracias por Todo(es)

Under the same roof, mother and daughter walk like strangers. Grief, routine, and an artificial intelligence that whispers in the silence distance them. In a world that never stops changing, she must discover if there is still a place where she can find herself.

An Important Premiere(es)

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

Captain Evita(es)

A mix of fiction and documentary, "Evita Capitana" takes place in the final of the 1951 Argentina's soccer championship, where Banfield faced the then imposing Racing Club. An important political figure sides with Banfield, representing the humble and needed, but power thinks otherwise.

Lions(es)

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

Nobody's Wife(es)

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

La Bonita(es)

Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.

Dream(xx)

In the 1920s Horacio Coppola studied modern languages, photography and film, set up the first cinema club in Buenos Aires, and travelled to Italy, France, Spain and Germany, where he trained with the Bauhaus photographer Walter Peterhans. After visiting Vienna, Budapest and Prague, still hotbeds of secessionist art, Coppola returned to Berlin and made the experimental film Traum (Dream, 1933) with the theatre director Walter Auerbach, a nice short influenced by the French & German surrealists.

Batato(es)

Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991

Memories(en)

Remembering his old memories, he will leave a photograph in every place where he was happy.

SIN PIEDAD(es)

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Tiger, Blood in the Mouth(es)

Ramón Alvia is a professional boxer who, although he has won several international championships, is old and is at the end of his career. He resists. In the gym, Ramon discovers among the young boxers Deborah, a beautiful girl.

La muerte camina en la lluvia(es)

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

The Dog Who Wouldn't Be Quiet(es)

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

PALOMA(es)

Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.

Zombies in the Sugar Cane Field: The Documentary(es)

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Coup de Grâce(es)

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?