Los Años del Conejo

To Be a Bruja(es)

Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.

Nisei (Second-generation)(es)

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Candombe - Visiones del Ayer, Hoy y Mañana(es)

Guaret(ca)

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Bailando al Margen: Vogue, Waack y el arte de la expresión.(es)

Return: Saving Turtles(es)

RETURN follows the efforts of a family of former sea-turtle–egg poachers, now dedicated protectors, leading VIVEMAR — a community-based organization in Oaxaca, Mexico. Through their work, they safeguard one of the world’s most endangered sea turtle species during its nesting season along the Mexican coast.

Where do you come from, Silence(it)

On her birthday, Greta avoids the town fair. After work at a piñata shop, she finds silence in a secret spot. Returning home, as fireworks crackle and the corrida begins, her father, missing for five years, is back.

Las personas somos incluso aquello que no contamos(es)

A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.

Una China Poblana(es)

"Una China Poblana" follows a Chinese-Filipino woman, Malaga, living in 1930s Mexico. Due to her race, many aspects of her life encounters hostility. When Malaga receives a death threat right before her big show in Mexico City, she doesn't choose to back down and faces whatever threat awaits her in the audience.

The distances(ca)

Omar lived in a very small village in Africa. He arrived in Barcelona in the winter. He would like to learn languages ​​and study, but there are no vacancies in the courses. He would like to work, but he has to wait until he has papers. He would like to get to know the city, find people who trust him, and not feel so alone. He misses his village, his family, and especially his mother. They talk often on the phone, but Omar can't express how difficult everything is here.

(Sol)ar Memories(es)

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

AGUA FRÍA(es)

Ángel and Kimberly, two children affected by migration, turn a parked van into an imaginary vessel to go look for their friend Sofía, who returned to her homeland, Colombia. In this space between reality and fantasy, they build their sense of identity, belonging, and friendship amid uprooting.

Rider(es)

A young woman working as a rider is forced to make a dangerous delivery that will put her life at risk during a night filled with urgent personal problems that she must solve through phone calls. Millions of people make a living as riders around the world, Fio’s story of redemtion is but one of them.

Les deseo(es)

A sensory journey through the childhood of a trans boy, exploring feelings of identification, the tenderness between siblings, and the pain of living through this transition.

El otro lugar(zh)

One day, young Li Na receives a call. It's from her little brother, who's home alone, waiting for his father to return. He's been gone for days and hasn't given any further signs of life. With the successive calls, the tension grows, as does Li Na's need to help, despite the insurmountable distance that separates them. Roberta Chávez breaks down the boundaries between social drama and urban thriller in a film that radiates a serene nostalgia.

Una Isla(es)

Playground(es)

When Uri arrives at a rave in Montjuic, he can’t quite find his place. It’s his first time… but he’ll end up finding a way. A short film about integration at a hardcore rhythm.

Don't switch on the light(es)

Lucía escapes from a painful past in her hometown and moves into an old house in the heart of Madrid, looking to start afresh. But she soon discovers that the house is home to inexplicable phenomena.

Los locos también piensan(es)

After the troubled, worn-out playwright Filomeno gets his movie script rejected, he devises a big plot to demonstrate his writing skill.

Estoy buscando un perro(es)