Limiar

When the Night Falls(en)

The dance film When the Night Falls tells the story of a woman fleeing the horrors of a collapsing society in the near future. Along the way, she encounters people on whose trust her entire future depends on.

Tia Morgana(pt)

Morgana is a trans woman who was kicked out of her home at 18 and has since had little contact with her siblings. After her mother’s death, she attends her nephew’s birthday party.

Refúgio(pt)

Emparelhamento(pt)

Interstício(pt)

Three friends break into an abandoned house at dawn. What starts as a joke becomes a nightmare when a monstrous creature attacks. As they flee through endless corridors, they discover a terrifying truth: there's no way out.

Along the Way(en)

A dance piece about love.

Cinema Brasileiro, Mercado Ocupado(pt)

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Astrobonde(pt)

The Weight of What We Carry(en)

Directed by Stephanie Kobes-Newcomb in collaboration with the dancers

Tutu Academy(xx)

At Tutu Academy, where tutus are the uniform, students of all characters (geeks to goths) express themselves through ballet—and bizarro hair. One odd day, a UFO lands and an alien enters the classroom. Eager to connect with the visitor who doesn’t speak earthly language, the teacher starts a dance conversation—followed by the entire class. At first, the alien struggles to learn the artful language, until he’s gifted a magical tutu. With fresh confidence, the green-hued stranger joyfully joins the dancing crew. But just as the bond deepens, the alien must return to his homeland. With bittersweet farewells, the UFO departs—donning a tutu too. On his planet, a stark contrast to Tutu Academy’s vibrant vibe, the alien proudly presents tutus to his commanders, where they dance in celebration of the newfound connection with Earth.

A foreigner(ja)

Filmed on the Colorado College campus. Explores the relationship of performer to place.

Circumnavigation(fr)

Offering(en)

OFFERING creates a meaningful and joyful convergence between the Migration Dance Film Project’s body percussion artists and emerging artists from dance (gigue, contemporary, street) and circus arts. The choreography uses the power of procession in Montreal’s urban borough of Little Burgundy to amplify its storyline of (re)imagined homescape in the era of mid-pandemic. The procession formed by movement artists from across communities weaves its way through urban corridors, neighbourhoods, green spaces — an uncoiled assemblage of nomadic storytellers anchored in the intimate knowledge of individual and shared experiences in unison. OFFERING imbues movement in stillness within our city and takes refuge in its powerful migratory patterns traced across our urbanscape.

Samskara(en)

An abstracted film to contribute to the fight against racism. As an immigrant, I have experienced it first hand. This film showcases the beauty and richness of humanity. Nine cultures unite to make art. The dancers will tell you what brings humanity together. We must come together.

Unsettled Grounds(en)

A collaboration between the University of Colorado Colorado Springs Theatre & Dance and FIDA-UNICAMP.

Mátria Amada Kalunga(pt)

Gluttony(en)

Gluttony is a haunting exploration of the devouring mother archetype, embodied by two twin dancers locked in an eternal cycle of consumption and dependency. Through visceral contemporary movement, the film unravels the tension between nourishment and destruction, love and suffocation. Inspired by the Ouroboros, the choreography unfolds in a labyrinthine setting, where the daughter desperately seeks escape, only to find herself inevitably drawn back. The visual language plays with the abject—orange gelatin evoking amniotic fluid, fractured reflections, and tactile imagery that blurs the boundaries between bodies. It is not just about gluttony; it is about inheritance, identity, and the inescapable hunger for connection.

Sinergia(pt)

Erosion(xx)

Erosion alludes to the process of shaping through which bodies are traversed. Time, as an agent of molding and unmolding human relationships, deposits in each encounter supported breaths, creating passages and possibilities of cracks for access to the other, in an attempt to avoid calcification.

Quem(pt)

The complex interaction between the different facets of an individual in conflict, where multiple personalities compete for dominance while the true identity seeks to assert itself. The work invites the viewer to reflect on the fragmentation of identity and the yearning for inner reconciliation.