The Making of 'Tombstone'
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A look at the necessity of shooting in Sweden, with emphasis on the country's culture, history, climate, and politics as they play central to the story-line. Also examined is the country's film industry. The supplement offers viewers a glimpse into shooting at the end of the process in Sweden and provides a very brief glimpse into the celebration that followed. It discusses the casting Armansky of actor Goran Visnjic playing the role of Salander's employer at Milton Security. Goran Visnjic works with David Fincher in shaping the character and his performance. additionally this supplement combines a look at the work and style of David Fincher along with the process of shooting some of the scenes in Martin Vanger's house.
The Weaving of a Dream: Johnnie To's Vision and Craft(cn)
From the ambitious young filmmaker behind Boundless, The Weaving of a Dream is a short documentary that details the making of Johnnie To's film Three.
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Another Romance of Celluloid: Electrical Power(en)
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Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Creating The Wizard of Oz on Ice(en)
Behind the scenes in the making of “The Wizard of Oz on Ice”.
Night and Fog(fr)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Another Romance of Celluloid(en)
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Paparazzi(fr)
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One Second in Montreal(en)
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Four Belgian Painters at Work(nl)
Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
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Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
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