Terre de Famille

Masterclass(fr)

Moi, Ntsame, la fille des Mapanes(fr)

Coeur Glacé Battant(fr)

Neráida(fr)

Resurgence(fr)

Un noeud dans le bois(fr)

Lukyan(uk)

After losing their parents, the brother and sister are trapped in a space where each day repeats the pain. Oresya keeps Lukyan under control, fearing losing him just like everything else. The arrival of Katya, a stranger who awakens physical desire in him, disrupts the fragile balance. Lukyan finds himself facing a choice he neither expected nor sought.

Wound of the past(ar)

Trucioli de familha(fr)

Semences : les gardiens de la biodiversité(fr)

Le Roman de Remort, ou les fabliaux inhumains & vilains de l'Ultime Carnaval(fr)

El paisaje del olivar(es)

The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of ​​olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.

Les mots justes(fr)

Pour le reste de ma vie(fr)

Short film on road safety prevention. Julien, 26, is enjoying a carefree summer day with friends, playing games, swimming, and partying. But when he gets behind the wheel after drinking and smoking, a series of choices and distractions leads him into a tragedy that will turn his life and the lives of his loved ones upside down.

Son of Mongolia(mn)

A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.