The Cranker

Something in the Water(en)

Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"

The day he decided to leave(pt)

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Step Into Paradise(en)

The lives and careers of iconic fashion designers Jenny Kee and Linda Jackson, who created a bold Australian identity through their clothes

Dead on Their Feet(en)

A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.

Voodoo Medics(en)

About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

Viva I Romantici: Il Sogno(it)

Double Around the Interlude(en)

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.

Descent Into the Maelstrom: The Untold Story of Radio Birdman(en)

Documentary that chronicles the career of the legendary Australian punk band Radio Birdman.

Free Tibet(en)

A film about the Tibetan Freedom Concert in San Francisco in 1996.

Mega Predators of Oz(en)

In Australia, sharks have recently been recorded with unusual prey-including other sharks. In order to figure out what has caused this shift in diet, Dr. Charlie Huvaneers and team head to shark infested waters to find out what's in the stomach of a great white - and why.

Oasis: Knebworth 1996(en)

Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.

The Decline of Western Civilization(en)

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

The Last Supper(en)

A documentary of burgeoning popstar Frimann's last gig in Liverpool before moving back home to Norway

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Mimaroğlu Remix Project(en)

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

My Life As I Live It(en)

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

Pink Floyd: Live at Pompeii(en)

British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.

Kids On Ice(en)

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

Sons from Afar(en)

New Zealand hip-hop artist Che Fu and his father Tigi Ness travel to their island homeland Niue for the first time to unravel the shared histories. There they also wow the locals with a performance at the Niue Arts and Cultural Festival.

After the Apology(en)

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…