The Night We Met

Die Klasse von '99 - Schule war gestern, Leben ist jetzt(de)

The story of a group of contemporary young people, growing up in well-to-do small-town

THINGS ARE GOOD(en)

University project based on a pre-written script. This is an extended "directors cut" version re-edited by Scarlett J. Stribley. Two estranged friends reunite and reminisce on the bridge where they first met.

My Father's House(en)

Recovering from a heart attack, a workaholic editor recalls the simple days of his youth. Robertson adds an emotional center to this messy, flashback-filled 'heavy' dramatic piece. Plenty of co-star talent.

2046(zh)

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

Olappeeppi(ml)

Olappeeppi portrays the story of an ordinary Malayali family and the changes in the socio-economic scene in Kerala from 1970's to the 2000's . As the name suggests, its about colours of the past, taking us to that era along with a boy named Unni and his grandmother.

To Err(en)

237 years after mankind's extinction, an android longs for a past it can never experience.

The Big Chill(en)

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

The House by the Sea(fr)

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

The Sleepwalker(fr)

A recluse painter’s careful routine is shaken up when a mysterious young woman knocks on his door. An encounter that will confront him with his past.

Mirror(ru)

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The House She Left(en)

Following her father’s death, Olivia notices her childhood home has begun to shift and change, manifesting her inner thoughts before her eyes.

Land of Green Ginger(en)

Faced with the prospect of being sent to work abroad, Sally Brown returns home from London to Hull, to see if she still feels the same attachment for her home town - and for her old boyfriend Mike Thurlow. Will she decide to take the job abroad or return to live with Mike in Hull?

A Bronx Tale(en)

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.

Avalon(en)

A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.

The Song of Sway Lake(en)

In the wake of his father’s suicide, young record collector Ollie Sway returns to the family lake house with his friend Nikolai in tow to lay claim to an invaluable jazz recording. An unexpected visit from Ollie’s estranged grandmother and a chance encounter with a girl from across the lake derail their search, forcing them to confront the Sway family history and a suffering that has resounded through generations.

Idhayam Murali(ta)

¡Sigo Aquí!(es)

We Are the Monsters(de)

24-year-old Kjell feels trapped in his little village. One day he meets a mysterious young man named Flurin and is immediately fascinated by him. Soon they start spending time together and show one other what it is they each long for.

Tour de Cinema: The Grunge Era(en)

Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.

Liliane in Hell(fr)

During her latest elopement, Liliane immerses herself in her family memories. Shattered by regret, loneliness and family pain, she tries to reach Paris, but to no avail. Her faith, inherited then abandoned, comes to her at decisive moments, calling forth the profane despair of a woman rejected and invariably “in hell” for eternity.