Don't Let The Bastards Grind You Down

History is Marching(en)

History is Marching is a feature length documentary analysing the rise in tensions between major powers across the globe over the course of 2018. The film follows western history from 1945 to the present day, before looking at how capitalist society is today breaking down into the largest crisis in its history. Socialism or extinction?

Flower Power Ost - Die Blumenkinder des Sozialismus(de)

There was also flower power under socialism. From the late 1960s to the late 1980s, hippies from East Berlin, Warsaw, Prague and Budapest dreamed of conquering a world that was actually closed to them. They wore long hair, beards and parkas, squatted houses, lived in communes, listened to blues and rock 'n' roll - music was their philosophy and world view. The documentary looks back at the flower children of the East, for whom Woodstock was further away than the moon.

I Have Lived Many Lives(de)

A portrait of the leading female Bolshevik (and later Worker’s Opposition) revolutionary leader Alexandra Kollontai using her own words.

24 Days in Brooks(en)

Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.

Strike! The Women Who Fought Back(en)

In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.

La Grève des ouvriers de Margoline(fr)

Railway Station(pl)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The Flickering Flame(en)

Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.

The Red Elvis(de)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Look Back at Grunwick(en)

A RECORD OF THE STRIKE AT GRUNWICK IN 1977. The story of the continuing struggle at Grunwick’s by mainly Indian workers, from July 11th, 1977 until the struggle was lost. It shows the Special Patrol Group attack on the November 7th day of action, how the leadership of the struggle was taken out of the hands of the strike committee, how some of the strike leaders were disciplined by their own union for going on hunger strike outside the TUC in protest at the TUC’s inactivity, and how the post office workers were forced by their union to end their blacking of Grunwick mail. It also shows the beginnings of the similar struggle by immigrant workers at Garner’s Steak Houses in London.

Stand Together!(en)

'Stand together!', a film on the "mass day of solidarity" on 11 July 1977, was made in 1977 for the Grunwick Strike Committee by the Newsreel Collective, of which Chris Thomas was a member, and members of the Association of Cinematograph, Television and Allied Technicians (ACTT) and the Transport and General Workers' Union.

L'autre mai, Nantes mai 68(fr)

Nicaragua Part 1: Voyages(en)

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Nicaragua Part 2: The Making of a Nation(en)

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Nicaragua Part 3: In Their Time(en)

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.

Nicaragua Part 4: Changes(en)

A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.

Scenes For A Revolution(en)

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

The Dawsonians(es)

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

British Sounds(en)

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.