The story that was silenced for 91 years was revealed for the first time: in August 1933 the leaders of the Zionist Organization signed "transfer agreements" with Nazi Germany. As part of the agreement, about 60 thousand Jews with a lot of property will arrive in the Land of Israel. Is it permissible to make a "contract with the devil" to save people?
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.
Examines the step-by-step process that led German medical professionals down an unethical road to genocide.
Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.
"I Am Rohingya" is a chronicle of the journey made by 14 young refugees, who share their endeavouring experiences amidst the Myanmar internal genocide in the Burma region, with Rohingya muslisms being the target. Sharing their personal lives and showing the struggles in the adjusting process of starting a new life in Canada, the children will be tasked with depicting on stage the horror of real life events. It's upon these youth to share the stories of their people and be sure no one forgets about them.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Follow the lives of four young people trying to survive the Israel-Hamas war as they hope for a ceasefire - a vivid and unflinching view of life in a warzone.
Rising in vigorous defense of the nation-state of the Jewish people, distinguished Harvard Law School professor Alan Dershowitz presents incisive evidence from leading experts across the political spectrum to assert Israel's basic right to exist.
In Killing Gaza, independent journalists Max Blumenthal and Dan Cohen documented Israel’s 2014 war on Gaza. Yet this film is much more than a documentary about Palestinian resilience and suffering. It is a chilling visual document of war crimes committed by the Israeli military, featuring direct testimony and evidence from the survivors.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".
Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.
A secret museum in an art hotel sparks intrigue when it's revealed to be a creation of controversial artist, Banksy. Using art as a form of political resistance, the hotel highlights the reality of life under Israeli military occupation. The film journeys through the hotel, Palestine, and a relevant past to dismantle the mainstream media's bias towards the Palestinian struggle for freedom and equality.
The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist’s impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity – that cinema fuels memory.
Dig through photojournalist Mahfouz Abu Turk’s memories and archives, where he thoroughly documented his experiences in Jerusalem and the West Bank from the First Intifada in 1987 throughout the next decade.
The shocking story of the establishment of the state of Israel told from the perspective of those who lived through the end of the British Mandate for Palestine in 1948.
The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.