Kayfabe
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The 2016 Reebok CrossFit Games were a grueling five-day, 15-event test to find the fittest man and woman on Earth. "Fittest on Earth: A Decade of Fitness" follows the dramatic story of the top athletes who qualified and competed and offers an inside look at what it takes to be among the world's elite athletes, both in training and on the competition floor. The CrossFit Games challenge competitors to perform intense physical tasks, but the hardest part is sometimes mental. Athletes often learn the details of the events only minutes before they begin, and everyone handles the pressure differently. Which of these fierce competitors will rise to the top and earn the title of Fittest on Earth?
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The Last Rapture(es)
Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.
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Documentary about the making of Juzo Itami's film "Tampopo" (1985).
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It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
Ces chansons de nos vacances(fr)
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In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted. By filming this youth, I revisited mine.
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