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Crumb(en)

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Vacuumin’ Around(hu)

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

And no one asks why(bg)

What stimulates, inspires, worries and disappoints rock singer Milena Slavova over the years? How does an artist go through time through barriers, walls, prohibitions, breakdowns, compromises – all reflected in her songs as music and lyrics. What survives? This is a film about the search and creation of meaning. The echo of a soul that asks why some are silent and others scream.

Making the Nature Scene(en)

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

20 years and other untranslatabilities(xx)

By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?

Being in a Place: A Portrait of Margaret Tait(en)

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Enticing, Sugary, Boundless or Songs and Dances about Death(uk)

In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.

Reflections of a society(es)

In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

Philip K Dick: A Day in the Afterlife(en)

A poetic look at the life and legacy of legendary author Philip K. Dick (1928-1982), who wrote over a hundred short stories and 44 novels of mind-bending sci-fi, exploring themes of authority, drugs, theology, mental illness and much more.

Peace(ja)

What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.

Los días azules(ca)

Death Is But a Dream(en)

Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance.

Kids On Ice(en)

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

STRATA INCOGNITA(es)

STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.

The Man Who Surfed The World(en)

In 1990, child star Spencer McPerving released his musical "Swamp Surfer" which became known as the most offensive, terrible work of fiction ever created. Spencer has been missing ever since and all recordings of the musical were destroyed. Now we follow documentarian Zoe Whiteman as she tries to learn more about Spencer McPerving and what led him to make such a disastrous musical.

Milen(bg)

The documentary film follows the life and career of Milen Tsvetkov against the backdrop of historical events in Bulgaria that have transformed journalism and the media market in the country since 1989.

A Life on the Farm(en)

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

Best Before(en)

The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.

My Flesh and Blood(en)

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Being 97(en)

Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.