André Ravéreau and Algeria

Places for the Soul(en)

An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.

René Vautier, le maquisard à la caméra(fr)

Daniel Timsit, l’Algérien(fr)

Cheikh El Hasnaoui, from the White House to the Blue Ocean(fr)

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Li Fet Met (Le passé est mort)(fr)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

The Untold Story of the Vatican(fr)

What started as a simple tomb became over a 2,000 years history the universal seat of Christendom and is today one of the most visited museum in the world with invaluable collections of Arts, Manuscripts, Maps. Using spectacular 3D modelisation and CGI to give viewers as never before a true understanding of the history of this architectural masterpiece and its extensions, the film will also use animation to tell relevant historical events. This heritage site reveals new untold secrets with the help of historians deciphering the Vatican’s rich archives and manuscripts collection and following the restorations at work (newly discovered frescoes by Raphael) and recent excavations. A story where Religion, Politics, Arts and Science meet to assert religious authority and serve as a spiritual benchmark.

Rester là-bas(fr)

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

Berlin Babylon(de)

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Hospedaria(pt)

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture(en)

"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.

Let Them All Go(fr)

February 22, 2019 marks the start of a historic movement in Algeria, initially against the candidacy of President Bouteflika for a fifth term, then for the departure of all former dignitaries of the regime and the establishment of a Second Republic. Algerian-Canadian filmmaker Sara Nacer returns to Algeria to capture this “Hirak” (movement in Arabic) through her camera. Through her journey, she invites us to discover the young generation who are leading the "Smile Revolution" and building Algeria 2.0, with a strong political, cultural and social awareness.

Scream(en)

An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.

Son of Torum(et)

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Die Bauten Adolf Hitlers(en)

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

The Oyler House: Richard Neutra's Desert Retreat(en)

In 1959, a government employee named Richard Oyler, living in the tiny desert town of Lone Pine, California, asked world-famous modern architect Richard Neutra to design his modest family home. To Oyler's surprise, Neutra agreed. Thus began an unlikely friendship that led to the design and construction of an iconic mid-century modern masterpiece.

Drafting: Occupations & Opportunities(en)

Treats drafting as a means of visual communication and a key to organized training and planning. Discusses the importance of drafting in various fields such as architecture, engineering, and industry. Drafting allows individuals to communicate their ideas visually, leading to accurate planning and construction. It is emphasized that drafting skills open up numerous career opportunities in different industries.

The Architect: A Montford Point Marine(en)

In this dynamic and dramatic short film, an African American veteran takes us on an extraordinary journey through his life. From a chance visit to the Pentagon, to growing up in a vibrant integrated neighborhood, his story is one of resilience and inspiration. Fueled by the determination to seize educational opportunities, he enlists just in time to experience the racial divisions of his era before Truman desegregates the military. Thrust into the brutality of the Korean War, the weight of combat becomes an indelible part of his soul. Returning home, he embarks on a new path as an architect and discovers unexpected connections in far-off Pakistan. As his family expands, his sons reflect on the man who raised them and the legacy he instilled. This film unearths the essence of the Black experience in the early 20th century, paints a vivid portrait of the Chosin Reservoir, and unravels the intricate tapestry of race, family, and personal growth.

143 Sahara Street(fr)

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

The Zerda and the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Coast Modern(en)

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.