
Self
I Will Keep My Soul is a gathering of encounters and observations, figured in text and image, of Helen Cammock’s experiences in New Orleans. Cammock convenes both contemporary and historical voices—from archivists, artists, writers, and musicians to the protagonists of the civil rights movement—and adds her own through poetry, ceramics, and the sound of her trumpet.
2023-02-11
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8.0This award winning film is a fast paced, humorous look at the colorful way the residents of New Orleans express themselves - why they talk the way they do, where the words come from, and what it means to talk with a New Orleans accent.
7.9On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.
0.0A "beneath the surface" look at the story of the band Snah Morfar, how it came to be, and how it all fell apart before it even began. Through one-on-one interviews with each member of the band, and statements made by people from the same circle, this is the real story of Snah Morfar.
0.0the film „mandà in lunga“ follows a journey from Val Poschiavo, a valley in the Italian-speaking part of the Swiss canton of Grisons, up to the highest point of the Morteratsch Glacier, the largest glacier in the Bernina Range. Shot entirely on 16mm film and edited in-camera, the film captures the changing landscapes and atmospheric shifts along the way. The journey is musically accompanied by the organ drones and violin sounds of Laura and Luzius Schuler.
0.0A rare 1979 BBC Arena documentary on the Albion Band, Ashley Hutchings and the development of English folk rock up to that time.
8.0Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.
0.0The German punk band "Terrorgruppe" was found in 1993 and broke up in 2005. The band was essential for the developement of German punk. Songs like "Keine Airbags für die CSU" or "Mein Skateboard ist wichtiger als Deutschland" inspired a whole generation of punks and anarchists. This documentary portraits the band's history from 1993 to 2005.
5.8The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.
0.0Megumi Odaka (小高恵美) idol VHS tape, Megumi the Campaign - Idol Roke Zenkoku Jyuudan, 1989. She is best known for the role of Miki Saegusa in six Godzilla films from 1989 to 1995.
0.0Dubai - the city of controversies. Six individuals go through personal insecurities, cultural pressures, money issues and the hustle of staying true to who they are. In the world that says otherwise. Is it all really worth it ? The film touches upon Arab identity, female role in the world, family values, Islam.
0.0Holger Diekmann was a singer, bass player, and drummer in multiple local bands throughout his short life. Filmmaker Jonas Helmerichs sets out to learn what kind of person his late uncle was. Intimate family portrait and exploration of grief, depression, and death.
0.0Heinrich Schütz was presumably the first internationally renowned German composer. In the 40 years he spent as court "kapellmeister" in Dresden, he left a strong impression on musical life in Europe. Although he was named "father of our modern, meaning German, music", he was long forgotten after his death in 1672. His works in their clear beauty still seem up-to-date, almost modern. However, only his vocal works - a small part of his extensive oeuvre - are known today. Narrating this documentary are, amongst others, international musical experts from Germany, Venice or Copenhagen - like David Douglas Bryant, Bjarke Moe, Prof. Matthias Herrmann, Dr. Christina Siegfried - as well as conductor Hans-Christoph Rademann, who was the first to record Schütz's complete (known) oeuvre.
0.0Choi Yeonjun prepares for his end of the year performances. He takes us along with him in his journey as he makes it all happen.
7.0The feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.
Lizzie Lovejoy’s mini-documentary explores the world of non-traditional performance spaces, especially in the Tees Valley and celebrating the fantastic work they do. Lizzie spoke to Bobby Benjamin, artist and curator of Pineapple Black in Middlesbrough, about the exciting range of work the gallery has housed over the past couple of years during festivals, exhibitions and events. And from Redcar Palace Art Gallery, director James Beighton and curator Beth Smith of Tees Valley Arts discuss how the venue is used to create works as well as share them, and why accessibility has become one of their main focuses. People connect to performance in different ways than visual art, but both can be incredibly powerful and influential. Using local creative spaces to pull both together highlights how fantastic our local cultural community really is. This is an Art Mouse film for NARC. TV, written and directed by Lizzie Lovejoy.
0.0The creation of Iannis Xenakis’ « Persephassa » at the Shiraz-Persepolis Art Festival. There are only a few archives left of this piece, for its ring-like disposition around the audience made it difficult for people to record it or take pictures of it. When it was created in Persepolis, each percussionist was settled on the stump of a column of the Palace of Darius. The distance between them could go as far as 164 feet (50 metres).