Speaker (voice)
Self
1988-04-20
0
0.0A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.
6.5In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
4.5Amanda has found the perfect man online - he's kind, funny and the heir to one of the richest families in Denmark. She lets him into her home and life, but is he really who he says he is?
The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.
7.0"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'
Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.
6.3In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.
A story about acts of terrorism that have impacted Denmark over the past 30 years—from the bombings in Copenhagen in 1985 to the attacks at Krudttønden and the Synagogue in 2015. A story told by the officials and politicians who bore the responsibility for the safety of the Danish population in the most critical moments. How did they react when terror came to the country?
A movie about the education for nurse told from Bente's perspective. She starts at the preschool at Rødkilde Højskole at Møn and comes from there to a hospital, where student time begins. After three years, Bente is trained and can get the nursing needle attached to the robe.
8.0Documentary on the French comedian, actor, humanitarian and legend Coluche.
5.2A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
An exploration of the intricate art of filmmaking, delving into the multifaceted stages of scriptwriting, cinematography, and meticulous final editing. It provides a behind-the-scenes journey, unraveling the creative and technical complexities that bring a film to life. As an illustration, the film-within-a-film narrative centers around a race car competition.
0.0On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”
0.0Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.