
Ravage
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Gouche
Curmo
Curmo (French)
Host, Cop
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Please Don't Go Looking(en)
This experimental short film by Iain Delavan serves as an abstract, yet harrowing expression of his struggles with Post-traumatic stress disorder, due to his repeated childhood sexual abuse. Iain was diagnosed with PTSD in March of 2022, and this film boldly represents the continued battles that Iain must face every day, such as severe depression, self-harm, panic attacks, flashbacks, nightmares, suicidal ideations, and other painful symptoms.
The Sacred Disease(en)
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
Into the Meridian(en)
A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.
Misma Melodía, Algo Nuevo(es)
video art about growing up and the longing for childhood available on YouTube

Once More Unto the Breach(it)
July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

Dissonante(pt)
Short film produced in film school that approaches depersonalization disorder by mixing some aspects of video art and video performance.

Chelsea Hotel No.2(en)
Da Corte found inspiration in Leonard Cohen's music, particularly the 1974 song "Chelsea Hotel #2," after which he named his breakthrough video in 2010. Filmed on a cellphone, Chelsea Hotel No. 2 takes place against a white backdrop that highlights the vibrant colors of random objects and foodstuffs Da Corte manipulates in front of the camera. His hands—covered in flour, ground coffee, sequins, packing tape, or aluminum foil—enter and exit the frame to perform a series of bizarre tasks. He stacks and presses slices of bread, squeezes purple dish soap into a neon green hamper, peels a banana with a gold hoop, rolls a calla lily into green bubble wrap, cuts bologna with large rusty scissors, and paints unripe cherries with red nail polish. We also see a gilded head of lettuce sprouting a rose on top of an overturned yellow basket and the fall of a standing broom and a blue chair as one of its legs is pulled out.

Ad Meliora(en)
'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.

Moth Night(pt)
Lira is an actress in the face of a world that is coming to an end. While artists are consumed, the moth flies through the night.
Paesaggio con figure(it)
A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.

Instinct(xx)
A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes up in a completely different setting, and wonders if she was dreaming or if this is her dream.

Celestial(en)
A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

Hideo, It's Me, Mama(en)
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)

The Inexhaustible Variety of Life(en)
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Go on, laugh(en)
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