Este es mi reino (This Is My Kingdom) is Mexican director Carlos Reygadas‘ contribution to the 2010 anthology film, Revolución. The film is comprised of ten short films about the concept of revolution, relating in whatever way to the Mexican Revolution of 1910. The other Mexican directors with shorts in the film are: Mariana Chenillo, Fernando Eimbcke, Amat Escalante, Gael García Bernal, Rodrigo García, Diego Luna, Gerardo Naranjo, Rodrigo Plá, and Patricia Riggen.
A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?
After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.
A vengeful mother-in-law locks horns with her daughter-in-law in a twisted tale laced with dark comedy, political intrigue, and chilling thrills.
In 1960, in a coastal town near to Nantes, Jean Ripoche lives with his wife Liliane, their four children and Liliane’s father Lucien. Jean divides his time between running his plumbing business and making a float for the Nantes carnival. The Ripoche’s ordered lives are thrown into turmoil when Jean’s former friend, Yvon Legualoudec, returns to the town – with his black wife Annabelle and their three children. Before he disappeared twenty years ago, without saying a word, Yvon was Jean’s rival for Liliane’s affections. As bitter memories resurface, the relationship between Jean, Yvon and Liliane become strained.
A Kuwaiti comedy play starring Dawood Hussain & Intesar Al Sharrah.
Anam, age 40, is a traditional Turkish wife and mother who lives with her family in a German city. She works as a cleaner and has made two friends: man-crazy German Rita and superstitious African Didi. When she finds out that her 20-year-old son Deniz has drifted into the drug scene and her husband Mehmet is having an affair with a colleague, her whole world collapses around her. Although desperate she is determined to fight and goes looking for Deniz. Instead she finds his girlfriend Mandy, who is also a drug addict. She decides to take care of the girl who is a stranger to her and finds herself confronted with an entirely unknown world. When she finally manages to track Deniz down to the cold-blooded dealer Hassain, he rejects her. Anam is forced to realize that painful as it is she can only help Deniz if he is prepared to accept her help
A behind the scenes look at the new James Cameron blockbuster “Avatar”, which stars Aussie Sam Worthington. Hastily produced by Australia’s Nine Network following the film’s release.
In 1960, in Moscow, numerous cases of infection with purple pox were recorded. According to doctors, the virus came from eastern countries. In order not to create panic among the population, they tried to hide the fact of the epidemic. Doctors tried to cope with the disease, but the number of deaths increased, and information inexorably leaked into society ...
A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.
Bonus DVD for the album 'A Matter Of Life Or Death'
George is a quiet man and is very, very humdrum, but he falls upon faith that will change his life forever.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri