In an age of darkness and despair, a century of pain and suffering, a hero rises from the ashes of known civilization and defeats the forces of evil. And just who may this hero be? BEAN BOWL!!!!!!!!!!!!
10
I think I just Beaned in my Bean Bowl
The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
Abu Zeit al-Hilali works in the sale of beans and falafel, and decides to move to Zamalek, and marries Mervat without the knowledge of her father in his building, but her feelings are still attached to her lover Alaa.
Sunday morning values, Saturday morning fun! It’s a tale of good versus evil with beans! Lord of the Beans follows the fantastic journey of a Flobbit named Toto Baggypants (Junior Asparagus) who inherits a most unusual and powerful bean. With the help of his mentor Randall and a spirited group of friends, Toto embarks on a mission to discover how he should use his gift. On their quest, the group encounters many challenges, including crossing the mountains of Much-Snowia, and facing the dreaded Lord Scaryman – who seeks the bean for misguided, selfish reasons. Will Toto discover the purpose of his giver, or will the scary dude and his Spark army capture the bean and wield its awesome powers?
W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.
Two couples go on a boating holiday together, and run into some strange people and events.
Eva is a career woman who loves her job and hates beans. In the aftermath of rejecting a marriage proposal, Eva finds herself increasingly tormented when a sentient can of beans sets out to ruin her life. Fighting to maintain her autonomy, Eva endures the bean’s tactics until she must make a choice: betray herself, or die.
The Bean Pit follows Barold, a disgruntled employee working for BP (Bean Pit) Beans. His day begins like any other, running routine inspections on the Infinite Bean Pit with his co-worker Benny. What first starts as a “normal” day at work quickly devolves into chaos as Barold inadvertently witnesses the terrors that his corporate overlords are trying to hide. Barold finds himself entangled in BP Beans’ web of conspiracies, and can’t seem to find his way out.
Bottleneck is an experimental video which is, in part, a reflection on borders. Using a jar of sprouting Mung beans as a metaphor it takes into consideration contemporary manifestations of national borders as they relate to regional and international growth and movement. This video emerges from questions such as: Who gains access? How does water transform a space and its borders? Who can move freely and access resources? What moves in and out of a given space and the boundaries that attempt to demarcate and contain it?
This is a short film about women with a great influence in a Chinese family. In this mother-and-daughter relationship hides a cycle of love, life and hurting each other.
Terrified by a horde of lustful unmarried women, a man is forced into marriage by a very sick uncle.
The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).
Three sketches each from a different director: (1) a dancer who is attracted to lesbians; (2) a call girl who is accosted by a cruel man; (3) a male transvestite - the hentai of the title - exposed at a sunny place.
A beautiful, but naive, young woman kills a rapist in self defense. But her degenerate, crippled uncle, senses an opportunity and weaves a complex web of blackmail around her to steal a stash of diamonds.
The magistrate, Scauri, inquires into the mysterious poisoning death of Gaspare Pisciotta, the imprisoned assassin of Salvatore Giuliano. He very soon finds himself struggling against a conspiracy of silence, which Scauri must therefore overcome in order to indict two powerful mafia bosses. His only hope comes for a brief moment from the testimony of the young prosecutor Lojacono. But The Organization is the most strong: the young prosecutor withdraws his deposition and the magistrate disappears in mysterious circumstances.
Don Vincenzo is a well respected boss from Naples, but he protects people from other criminals, like gypsies, loan sharks and Don Bufalo...but as they say in Naples, a Mammasantissima either ends in jail or inside a grave.