A classic battle between good and evil pits an unscrupulous fortuneteller who has been preying on the good citizens of Edo against a master-less samurai who founded a school for underprivileged children in a poor neighborhood. Into the mix comes a young woman running away from a forced marriage disguised as a teenage boy and becomes a student of the beloved Sensei, while he staves off the advances of a skilled pickpocket and prepares for a bloody showdown against a direct retainer of the shogun!
1959-12-13
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Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.
A naively honorable samurai comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan's good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he'll have to live out his life as a master-less ronin, if not hunted down and killed.
Orphaned Kiku was raised at a Buddhist temple and learned theatrical arts and martial arts as a child, which were used to put on stage productions to raise money for the temple, but also to display young lads who were essentially for sale to the highest bidder. When Kiku gets fed up with how the temple uses the orphans and wants to leave he gets accused of a double murder and has to flee for his life and liberty.
During the reign of Shogun Ienari Tokugawa, heir Takechiyo is found murdered with aconite-coated needles. A missing needle belonging to a palace lady raises suspicion, but she claims innocence.
On New Year's Day 1716, Munenaga of Owari and Yoshinao of Kii were both named as candidates for the title of 8th Shogun. The wise and just Munenaga is plunged into a dispute with Tokugawa Yoshinao that will lead to one of them ascending the throne. This is an exciting and informative film that brings the brilliant history of Japan to the surface in a new light.
A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.
Baian Fujieda, an assassin for hire, got an unusual job from his usual fixer to end up with an unexpected twist of destiny from the past.
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
When the Shogunates greatest secret is stolen, the fate of the nation hangs in the balance. The Shogunate sends an incompetent cop, Tanaka, to Kyoto to act as a stalking horse. Hoping the thieves will kill Tanaka and the Ninja Spies will kill the thieves. But what the Shogunate doesn't realise is that Tanaka's even more incompetent assistant Mondo is in fact the leader of a gang of revengers for hire, there motto is "Sure Death" (or your money cheerfully refunded). Mondo doesn't know that everyone knows about the secret, but they all think he does. Poor Mondo, he not only has to deal with crazed Shogunate extremists, oddball ninjas, crooks who work for the Emperor and bicycle riding foreign death squads. He also have to deal with a wife and a crazy mother-in-law!
The concluding film to the Gintama animated series, adapting the final chapters of the comic series of the same name by Hideaki Sorachi. The film covers chapters 699–704 of the original comics, with original material added in.
A warrior-in-training and his bumbling friends go in pursuit of a stolen sword.
Saotome Mondonosuke is Hatamoto (a high-class warrior who is allowed to see the Shogun in person) who has a crescent-moon-shaped scar on his forehead with flashy clothes and a handsome face, and is proficient in all the military arts and called Bored Hatamoto. Mikijiro Hira acts as such a hero in history. Mondonosuke is secretly ordered to look into the suspicious movement in Nagoya castle by the Ometsuke, and he found out about the misconduct and sole it. This is a period movie about the hero!
Isozoemon (Go Kato) was a ronin (masterless samurai) and broke, who lived in a Choya (cheap apartment) in Okazakijoka town with his sick wife, Sugie (Ai Kanzaki). He was also a good swordsman who had taught swordsmanship in Akita a long time ago. He takes such good care of his wife that he is called a wife-loving man. He got involved in a conflict for succession because he pretended to become an officer to please her wife.
Toma (Go Kato) is a son of a doctor in Takane, Yoshitomo Monzen. He was ordered by the sick federal lord and travel to Edo. It was said that Tsurunosuke, the man supposed to be the next federal lord, got a heavy disease, and the order aimed to make sure if it is true or not. On his way to Edo, Toma gave a hand to Kiku (Mayumi Okamura) who had a stomachache. However, she seemed to be in big trouble, and there were many warriors on the roads… This is the remade drama of “Wakasamamono” written by a popular novelist Tatsuji Satte. Go Kato as Dr. Waka brandishes a sword to come up against the plot of Karo, related to the inheritance of Takane Han.
Two rogue vagrants make their living as “manure men”, turning the waste from the tenement toilets into fertiliser sold to local farmers. Enter Okiku, the only daughter of a fallen samurai, and amongst the overflowing piles of excrement, a well-nourished love story unfolds.
Historical drama about a sleepy-eyed ronin.
Historical drama about a sleepy-eyed ronin.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
The first part of an entertaining historical drama depicting the eventful story of the revenge of an actor with a strange fate, with a variety of characters and exciting developments.