Who Bombed Judi Bari?

Picturing a People: George Johnston, Tlingit Photographer(en)

The life and times of George Johnston, photographer and keeper of memories for the Tlingit nation.

The Banknote(fr)

A rich man rewards a tramp for defending him from muggers with a large sum of money in the form of a single bank note. Nobody can cash the big bill the tramp is carrying and hilarity ensues.

My Prairie Home(en)

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

Papa, the Lil' Boats(fr)

In this whimsical French comedy, Cookie (aka Venus de Palma) is a tough, sweet little rich girl, and is rather smart, too. She's smart enough and charming enough to outwit her kidnappers by setting one against the other until they have all killed each other or died trying to prove thier worth to her.

Dirt(en)

This feature documentary is an exploration of the concept of dirt and impurity. From the slums of Kolkata to Vancouver's Downtown Eastside to a barbeque joint in Central Texas, Dirt digs deep into the webs of meaning and feeling attached to that deceptively simple 4-letter word. An odyssey into all things unclean, the film features animation to make Hieronymus Bosch blush and music from Godspeed You! Black Emperor.

The Last Impresario(en)

Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.

Late at Night: Voices of Ordinary Madness(en)

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

Marvin Hamlisch: What He Did For Love(en)

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

Taşkafa, Stories of the Street(en)

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.

American Anthrax(en)

Using archival footage, Robbie Martin examines the media's complicit role in the false narratives surrounding the 2001 anthrax attacks

Satan's System 666(en)

Terry Cook cuts through the camouflage of confusion that has been created to "cover up" the intended crime of the century. What crime? The pre-meditated madness to identify every man, woman and child with the Mark Of The Beast. This insidious Satanic System is what Biblical prophesy refers to with the number 666.

Reflections(sv)

Director Sara Broos examines the relationship between herself and her mother, painter Karin Broos.

Ama-San(ja)

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

Cavaliers Seuls(fr)

My Brothers and Sisters in the North(de)

The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.

The Women Who Run Hollywood(fr)

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Death by Design(en)

This documentary seeks to open your eyes to the the costly consequences of the Information Age, when we are addicted to constantly replacing our electronic devices with newer and better versions.

Lena(sv)

Follows the story of the beloved and internationally acclaimed Swedish actress Lena Nyman, based on 17 paper bags with diaries that she left behind.

Biopsia(es)

Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population.

3.11 A Sense of Home(ja)

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.