Masový Kašpárek

Barkley Dubis' Danse Macabre(en)

A boy is thrown into the middle of an increasingly bizarre local disturbance.

Paco and the Magical Book(ja)

Onuki asks people in a hospital to perform a play for Paco, who suffers from memory disorder. His only hope is to help Paco survive from her illness.

Encore un instant(fr)

In love, there are miracles that cannot be explained. Even after thirty years of marriage, Suzanne and Julien are still madly in love with each other. A happy, close-knit couple. Suzanne is an actress adored by the public. An adoration that sometimes goes as far as fetishizing her young tenant Simon. For her return to the stage, she hesitates to act in Max's new play, specially written for her. What Suzanne wants is to be alone, for just a moment longer, with Julien. Julien whom she loves and who loves her, Julien who grumbles and laughs, Julien who lives but whom no one sees or hears. Except Suzanne...

Non à l'argent !(fr)

New Faces(en)

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Marianne's Theatre(fr)

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

L'heureux élu(fr)

Čtveračinky anebo o třech mistrech z cechu šibalů(cs)

Sherlock Holmes et l'Aventure du Diamant Bleu(fr)

Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

Grand Central Murder(en)

Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.

Berlin Berlin(fr)

Love Live! Sunshine!! Finally Live-action! ! !(ja)

This is a 15-minute long puppet show that Sunrise (the company that has created Love Live! Sunshine!! and it's predecessor) made as an April Fool's joke. It looks like they put a lot of work into it, though!

An Unusual Concert(ru)

An unusual concert is a puppet show that makes fun of pop genres, performers who spoil these genres due to poor performance and poor taste.

The Pee-wee Herman Show(en)

An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with adult and sexual overtones and jokes including "mirror shoes" and others.

Pán Strom(sk)

A centennial beech tree takes the stage and vividly recounts its hundred-year life, sharing humorous, poignant, and sometimes tragic episodes that unfolded on and around it.

Rodinné striebro(sk)

A selection of the best scenes and songs from the theatre's rich history, using STV archive material. Stanislav Štepka, an inseparable part of the naive scene and its "father", will accompany us through the 45-year history of the theatre and its characters from the village of Radošina.

Micha Wertheim: Someone Else(nl)

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Everybody's Talking About Jamie(en)

Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.

Hans Teeuwen: Smerige Spelletjes(nl)

The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.

Micha Wertheim: Somewhere Else(nl)

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.