Fwends
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Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.
The Broken Hearts Gallery(en)
Lucy is a young gallery assistant who collects mementos from her relationships. She discovers that she must let go of her past to move forward, and comes up with a lovely, artistic way to help herself and others who have suffered heartbreak.
Cherry-Red(de)
Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.
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Anna, the daughter of an elderly owner of Kõrboja farm, is told by her father that if she won't move in their home farm then it will be sold to strangers. But the farm needs also a master, and Anna has been living in town for years. She comes back home and reunites with Villu, her friend from childhood.
The (Dead Mothers) Club(en)
Three women whose paths never cross, yet are bound by the shared experience of losing their mothers during adolescence, exploring each one’s sometimes-complex relationship with her mother.
Intoxication of an Oasis(fr)
On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.
Maison du Bonheur(fr)
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
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When Nora witnesses Abel being bullied by other kids, she rushes to protect him by warning their father. But Abel forces her to remain silent. Caught in a conflict of loyalty, Nora will ultimately try to find her place, torn between children's and adult's worlds.
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James Gillespie is 12 years old. The world he knew is changing. Haunted by a secret, he has become a stranger in his own family. He is drawn to the canal where he creates a world of his own. He finds an awkward tenderness with Margaret Anne, a vulnerable 14 year old expressing a need for love in all the wrong ways, and befriends Kenny, who possesses an unusual innocence in spite of the harsh surroundings.
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The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
